Delia Gonzalez and Gavin Russom’s romantic relationship began on the dancefloor, so it is only fitting the fact that eccentric duo became among the DFA label’s least dance-oriented acts. Even more motivated by ’70s digital performers from Germany — such as for example Tangerine Wish, Harmonia, and Ash Ra Tempel’s Manuel Göttsching — than United kingdom post-punk and early home (like a lot of their labelmates), the brand new York-based duo debuted using a 12″ one in early 2004. A beat-driven remix from DFA’s Adam Murphy and Tim Goldsworthy made an appearance in the B-side. Because it obtained more attention compared to the beat-less A-side, some listeners had been surprised to learn that THE TIMES of Mars, the duo’s 1st album, was completely beat-less, comprising four lengthy songs that were made up on Russom’s standard bank of self-made analog synthesizers. Gonzalez and Russom also have documented with Murphy, Goldsworthy, and Christian Holstad as Dark Leotard Front side (2004’s Casual Fri solitary, also released on DFA). The duo released many even more singles and EPs, including 2006’s Relevee and 2010’s Monitor Five, before Gonzalez centered on her artwork career; Russom continuing making music by himself, under his personal name and with the Crystal Ark among additional projects.