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Dee Dee Bridgewater

One of the better jazz performers of her era, Dee Dee Bridgewater had to go to France to get herself. She performed in Michigan through the ’60s and toured the Soviet Union in 1969 using the University or college of Illinois Big Music group. She sang using the Thad Jones/Mel Lewis orchestra (1972-1974) and made an appearance within the Broadway musical The Wiz (1974-1976). Because of erratic information and too little path, Bridgewater was mainly overlooked within the jazz globe by enough time she relocated to France within the ’80s. She made an appearance in the display Lady Day with European jazz celebrations, and eventually created her own back-up group. From the past due ’80s, Bridgewater’s Verve recordings began to alert American listeners to her performing skills. Her 1995 Horace Metallic tribute disk (Like and Serenity) was a jewel, and led to the singer thoroughly touring the U.S, reintroducing herself to American viewers. She found a lot more achievement with another tribute recording, Dear Ella, which received a Grammy in 1997. THAT IS New, released in 2002, presented Bridgewater performing Kurt Weill tunes, while 2005’s J’ai Deux Amours discovered her tackling French classics. For 2010’s Eleanora Fagan (1917-1959): To Billie with Like from Dee Dee, Bridgewater relocated from Verve to Decca/Emarcy, and provided her variations of several tunes connected with Billie Vacation. She implemented this in August 2011 with her sophomore work for the label: a compilation assortment of jazz criteria entitled Midnight Sunlight, with music from prior albums which range from “Angel Eye” to Horace Silver’s “Depressed Girl.” In 2014, she created and made an appearance on trumpeter Theo Croker’s record, Afro Physicist. Bridgewater’s 2015 work, Dee Dee’s Feathers, discovered her having to pay homage to the annals of New Orleans, in addition to marking the tenth wedding anniversary of Hurricane Katrina. A cooperation between Bridgewater, New Orleans trumpeter Irvin Mayfield, and the brand new Orleans Jazz Orchestra, the record also featured performances from such New Orleans luminaries as keyboardist Dr. John and percussionist Costs Summers.

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