For most, music may be the sole ambition in life, the be-all and end-all of existence. Not for English vocalist/songwriter David Lewis. For him it’s even more avocation than obsession, as he makes his living as an educational, lecturing on the London College of Economics. Music is definitely an integral part of his lifestyle, however. Developing up in Shower, in the the west of Britain, he was encircled because of it, as his entire family members was musical, and by enough time he was an adolescent, in the mid-’70s, Lewis was playing acoustic guitar and keyboards, affected equally by performers like Joni Mitchell, Bob Dylan, the Strawbs, Al Stewart, the Clash, and Patti Smith. College or university, where he researched anthropology, extended his horizons to add both spirit and Lou Reed, while playing synthesizer inside a university band named No Option, whose profession went definitely nowhere. Lewis’ following real musical encounter arrived when he started graduate research at Cambridge College or university, where he fulfilled up with another grad college student, Wesley Stace, the person who would ultimately become referred to as John Wesley Harding. Sensing identical eclectic musical preferences, the pair installed and started playing older folk and blues music, discovered off Ry Cooder information, and busked around the town with another friend, David Baddiel, who’d continue to his personal fame and lot of money like a comedian in the U.K. Nevertheless, it had been anthropology that basically claimed Lewis’ interest as he finished his research. But while on field function in Bangladesh in the past due ’80s to comprehensive his Ph.D., he started writing his very own music, which he done with Harding, both communicating via tape and fax. Three of their co-compositions — “The Crimson Rose as well as the Briar,” “Normal Weekend,” and “Cupid and Psycho” — made an appearance on several Harding albums. Nevertheless, it wasn’t before middle-’90s that Lewis started focus on his very own debut record, documenting in SAN FRANCISCO BAY AREA (where Harding today resided), with Harding and Scott Matthews making, and guests like Robert Lloyd and R.E.M.-er Peter Buck supporting out. The disk, No Straight Series, made an appearance in 1996 on Dejadisc, and then vanish once again when the label went of business. Nearly instantly, Harding andLewis started work on a fresh record. This time around, however, the documenting will be a extremely drawn-out affair, provided Lewis’ teaching timetable and Harding’s profession demands. Actually, what would become FOR THE PRESENT TIME was documented in three classes, pass on over five years, and included a visitor vocal from longtime Lewis hero, Al Stewart. Following a album’s launch on Appleseed in fall 2001, Lewis undertook a U.S. tour, starting for Harding.