Sometimes referred to as a “Broadway gypsy,” David Evans began his profession like a dancer in the first ’60s. According for some resources, his first main credit was like a dancer in Tenderloin in 1961, the show’s name being relatively accurate in explaining the way makers like to consider young skill. By the next 10 years, Evans was still involved with dance but was dealing with positions of improved status, such as for example choreographer’s associate and captain of whole dance groups. Since a good gypsy’s wagon tires wear out, your decision to switch towards the much less literally taxing field of composing seems understandable. However many a prolific composer would collapse in exhaustion attempting to maintain with the quantity of function Evans has proved. An excellent collaborator, his participation in a display could consist of any or all the following: performing, musical path, or creating the initial rating. His 50th birthday in 1985 was designated having a profile in Playbill, but regardless of the retrospective summation it appeared he was simply getting started. A large number of productions making use of his function have followed, which range from a 2001 revival from the traditional display The Bells Are Buzzing to Evans’ fresh creations such as for example Love Comics.