Dave Woolum

Although he was by no means a full-time musician, the Kentucky-born Dave Woolum continues to be active in bluegrass and country music virtually his very existence. As an adolescent, he supposedly performed over the relatively mystical WHBB radio in Mt. Orab, OH. This regional station experienced a mixture studio-and-headquarters crammed in to the back of the store, and evidently was the foundation of nearly as very much early bluegrass and historical old-timey music as the Grand Ole Opry itself, that’s if the Mt. Orab local people should be believed. From the ’80s, Woolum was still positively leading bluegrass rings out of the Florida foundation, although this is not probably the most sympathetic 10 years with regards to an target audience for traditional bluegrass. The guitarist and vocalist experienced already discovered the rudiments of music by enough time his family members relocated from Kentucky to Ohio, and worked well in a number of different bands before making a decision to start out his own clothing, usually referred to as the Kentucky Hill Males. This clothing was officially created in 1945, operating regularly on a number of Ohio r / c including two stiff rivals in Dayton. Through the ’50s and ’60s, this loose-knit ensemble remained together on / off, not falling sufferer towards the burn-out symptoms that occasionally can go with being truly a full-time operating music group. Musically, the attempts of Woolum and organization have already been of great curiosity to bluegrass followers, primarily due to the current presence of grasp banjo picker Noah Crase, who was simply as tragically under-recorded as he was amazing. Followers of banjo are doubly happy from the band’s documenting entitled “LATER YEARS,” not just a gorgeous track but an agreement boasting the dual banjo group discussion of Crase and Curtis Allen. This monitor, reissued in the ’70s on Rounder within its valuable START of Bluegrass series, may be the aspect Woolum was most pleased with cutting out of the batch completed for small regional companies like the humble Excellent and gradually growing Pinetree, aswell as bigger nation and bluegrass clothes such as for example Starday and Sage. The group also collaborated with nation vocalist Rusty York on some albums available just on mail purchase, issued beneath the name of Rusty York as well as the Kentucky Young boys. Woolum afterwards taped albums which were combos of bluegrass and gospel for the Melody and Pine Tree brands out of Hamilton, OH. Bluegrass bundle shows like the Renfro Valley Barn Dance and Costs Monroe’s Brown State Jamboree also welcomed Woolum as well as the Kentucky Young boys on-stage frequently. Through the ’70s, Woolum renamed his support music group the Laurel State Partners, getting mandolinist Paris Decker in to the flip. He retired from his time work in 1974, and going to Florida, where he discovered the picture for traditional bluegrass seeking, but really worth the initiatives of the bluegrass journeyman whose efforts have already been as significant because they are obscure.