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Danielle de Niese

Elevated in Melbourne and LA, soprano Danielle de Niese had been a veteran singer by enough time she started her research at Mannes College of Music. She acquired produced her operatic debut using the LA Opera at 15, and gained many music scholarships, not forgetting an area Emmy Prize, while in senior high school. De Niese was the youngest entrant to time in the Metropolitan Opera’s Lindemann Teen Artist Development Plan, producing her Met debut in 1998 in Le nozze di Figaro, aimed by Jonathan Miller. She was judged by Terry Teachout of the brand new York Daily Information as “…obviously headed for larger and better factors.” Although she was an ensemble person in the Broadway ensemble of Les Misérables while still students, de Niese is certainly preferred in the Baroque and Traditional repertoire, which she began monitoring while an adolescent. Her recordings for Decca and her stage assignments are rooted in the music of these eras. Also the modern piece written on her behalf appearance in the soundtrack from the Ridley Scott film Hannibal provides similarly apparent, melodic lines. Her initial solo record, Handel Arias (2007), was very well received. She’s made an appearance notably as Cleopatra in Handel’s Giulio Cesare at Glyndebourne in 2005; in a number of BBC television applications; and, in early 2012, as Ariel in The Enchanted Isle, a fresh pastiche opera predicated on the music of Baroque experts made by the Metropolitan Opera.

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