Daniela Dessi is a respected Italian lyric soprano, dynamic on the international operatic and concert levels, and admired for a big and diverse repertory extending from Monteverdi to Prokofiev. Blessed in Genoa, she examined piano and performing on the Conservatory of Parma as well as the Accademia Chigiana of Sienna. She started her career using a success in the 1980 RAI [Italian Radio] International Competition. This led instantly to engagements to sing concerts in the main halls of European countries and in Tokyo. Contained in her concert repertory are Haydn’s The Creation, Verdi’s Requiem, Rossini’s Stabat Mater, and Petite Messe Solennelle. She’s sung on the main Italian, Western european and American opera homes, such as for example La Scala, Maggio Musicale Fiorentino, the Salzburg Celebration, the Zurich Opera, Rome Opera, as well as the Metropolitan in NY under such conductors as Riccardo Muti, Nikolaus Harnoncourt, Claudio Abbado, Bruno Bartoletti, Zubin Mehta, and such stage directors as Franco Zeffirelli and Liliana Cavani. She actually is a lirico/dramatic soprano, judging from a summary of a number of the sixty or even more roles she’s in her energetic repertory, including Vitella in Mozart’s La Clemenza di Tito, the Countess in The Relationship of Figaro, Fiordiligi in Così enthusiast tutte, Desdemona in Verdi’s Otello, Donna Elvira in Don Giovanni, aswell as the main assignments in Les vêpres sicilienne, Madama Butterfly, Giordano’s La Cena delle beffe, La Bohème, Traviata, La Pagliacci, Falstaff, Andrea Chénier, Simon Boccanegra, and Don Carlos. Dessì provides made several recordings including Verdi’s Ernani, La traviata, Don Carlos, and Falstaff, Puccini’s La bohème, Tosca, and Madama Butterfly, and Boito’s Mefistofele.