Mixing power, elegance, and thoughtfulness, Swiss drummer Daniel Humair spent some time working with the very best American and Western jazz music artists. He quickly became a staple among Western european drummers, first within a bop design, then implementing the style of West Coastline drummers such as for example Shelly Manne and afterwards absorbing Elvin Jones’ impact. Despite an early on but significantly less than stimulating launch to music, Humair just got thinking about this talent when he reached 14 and noticed a documenting by Tommy Ladnier and Mezz Mezzrow. Functioning tremendously hard to create up for the dropped period, he quickly became a specialist musician and began to perform in ballrooms. In 1958, he gained several awards on the Zurich Jazz Celebration. This recognition resulted in his first Western european travels with Don Byas, Man Lafitte, Jacques Pelzer, and Floris Nico Bunink. In November 1958, he transferred from Belgium to Paris on the invitation of Barney Wilen. There, he caused Lucky Thompson, Oscar Pettiford, Bud Powell, and vibist Michel Hausser, with whom he produced his initial recordings. Subsequently, he became a member of Martial Solal’s trio and remained with the pianist until 1965. This significant cooperation helped him develop his audio and improve his organizing skills. Throughout that period, he also proved helpful being a sideman with a whole lot of American music artists transferring through Paris and collaborated with two of the very most essential French jazz music artists of the period: pianist René Urtreger and bassist Pierre Michelot. Within the middle-’60s, he shaped a distinctive trio with violinist Jean-Luc Ponty and organist Eddy Louiss. In 1968, his profession took a crucial turn with the start of his four-year tenure with Phil Woods & His Western Rhythm Machine. Third , experience, he performed inside a trio with pianist Gordon Beck and bassist Ron Matthewson. Through the ’70s, he especially appeared with different editions from the Michel Website Unit. By the end from the ’70s, he developed another trio with saxophonist François Jeanneau and bassist Henri Texier. The combo helped provide a fresh direction towards the French jazz picture by creating a regional repertoire still rooted within the jazz custom but acquiring its distance through the American model. In 1985, another essential part of the drummer’s advancement was his association with Joachim Kühn and Jean-François Jenny-Clark. The trio continued to be active before untimely passage of Jenny-Clark and helped him adult like a composer. Within the ’90s, he made a decision to concentrate on his actions like a painter, which began to impact his drumming, assisting him to focus on textures and better define the partnership between your drums as well as the additional instruments. This didn’t prevent him from staying present within the jazz picture. Beneath the moniker Reunion, he asked various soloists to execute with him. Additional highlights consist of his participation within an all-star quartet with Enrico Rava, Miroslav Vitous, and Franco d’Andrea, as well as the creation of the trio with Bruno Chevillon and Marc Ducret. In 2001, he released Baby Growth, a project concerning much younger music artists.
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|L'ombre rouge||1981||musician: drums|
|Pourquoi pas!||1977||musician: drums|
|Femmes Fatales||1976||musician: drums|
|Going Places||1974||musician: drums|
|Le Cercle Rouge||1970||musician: drums - uncredited|
|Häxan||1922||Documentary musician: percussion - 1968 version|
|Yves Klein, la révolution bleue||2006||TV Movie documentary|
|Une sale affaire||1981|
|Une femme de ménage||2002||Musicien (as H.U.M.)|
|Les mamelles de Tirésias||1982||TV Movie||Le peuple de Zanzibar|
|Roland Kirk: Live in '64 & '67||2008||Video performer: "Moon Song", "Lover", "Three for the Festival", "Yesterdays", "Milestones", "Bags' Groove", "Lover Man", "There Will Never Be Another You"|
|Roland Kirk: Live in '64 & '67||2008||Video||Himself / Drums|
|Late Night with Conan O'Brien||1995||TV Series||Himself - H.U.M.|
|Noon in Tunisia||1969||Documentary|
|Top à Cassel||1964||TV Movie||Himself|
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