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Dana & Karen Kletter

North Carolina-based identical twins Dana and Karen Kletter just perform sporadically, but their perfectly complementary voices audio so unassailably correct together that sometimes their harmonies appear to be one tone of voice. Their uncommon, arty tunes, greatly affected by both traditional and Eastern Western folk music, are similar to Kate Bush’s later on function, but engagingly exclusive. The Kletter sisters had been given birth to in Baltimore in 1960, the just children of the Hungarian-born mom who experienced survived Auschwitz and a dad with ties to structured criminal offense who spent many years of his daughters’ child years within the lam. Elevated in NEW YORK and Long Isle using their mother’s Eastern Western refugee family members, Dana and Karen created a fondness for the folk music of their mother’s homeland. (The sisters would execute a edition of the original Yiddish folk track “Raisins and Almonds” on the first duo recording, 1998’s Dear Foe). In 1987, Dana resettled in Chapel Hill, NC, where she experienced attended university, and began a vocal trio, blackgirls, with Eugenia Lee and Hollis Dark brown. Their two albums, 1989’s Process and 1991’s Content, experienced the moment folk credibility to be made by the famous Joe Boyd (Nick Drake, Fairport Convention, etc.), but Kletter’s Eastern European-influenced artwork folk didn’t usually mix with Lee and Brown’s even more conventional materials. Karen, who experienced moved right down to North Carolina to wait grad college, sang support vocals on both blackgirls albums. Instantly realizing the sisters’ vocal mix, Boyd recommended they execute a duo recording. Several songs had been created, but Dana’s carrying on commitments with blackgirls produced the sisters place the task on hold for quite some time. For the time being, while Karen composed a doctoral thesis on anti-Semitism in middle ages Europe, Dana still left blackgirls and, relatively improbably, was employed to sing support vocals on Hole’s 1994 discovery SURVIVE This. Dana’s tone of voice is blended about as noisy as Courtney Love’s through the entire record, most notably in the cover of Little Marble Giants’ “Credit in the Right World” as well as the strike solitary “Doll Parts,” an undeniable fact that experienced many people chortling through the great Courtney Like backlash of 1995-1996. The Opening gig do help obtain Dana’s new music group, Dish, authorized to the main Interscope Information, but their two produces, 1994’s Mabel Sagittarius and 1995’s Boneyard Seaside, failed to entice much attention. Back in NEW YORK after Dish split up, Dana and Karen started singing together once again. While showing up in coffeehouses with local advantage concerts with ex-Dish multi-instrumentalist Sara Bell beneath the name Dear Foe, the sisters completed writing the tunes that would constitute their first recording. Boyd authorized the duo to his Hannibal label and created their debut recording, 1998’s Dear Foe. The recording received mainly rapturous testimonials and quickly established a cult pursuing, but Dana and Karen Kletter, ingested in their very own careers being a journalist and instructor, respectively, have changed their music into an intermittent sideline.

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