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Dan Fogelberg

Biography

If Wayne Taylor epitomized this is and the initial, past due-’60s incarnation of the word singer/songwriter, Dan Fogelberg exemplified the past due-’70s exact carbon copy of that term at its most highly developed and successful, having a string of platinum-selling albums and singles in to the early ’80s and an extended profession afterward, interrupted only by way of a health problems that resulted in his untimely loss of life in 2007. He arrived of the musical family, delivered Daniel Grayling Fogelberg on August 13, 1951, in Peoria, IL, where his dad was a recognised musician, instructor, and bandleader. His initial device was the piano, which he had taken to sufficiently, and music mattered to him a lot more than the sports activities which were the preoccupation of all of the guys around him. At age group ten, he was conserving and hearing any old information he may find. And if there is a “God-shaped space” in everyone, Fogelberg’s was filled up with music, something his family members might’ve guessed if they’d noticed just how much he cherished the music in chapel but was uninterested from the sermons. His additional great passions had been sketching and painting. His personal musical turning stage came in the first ’60s, before he’d reached his teenagers. Something special of a vintage Hawaiian acoustic guitar from his grandfather launched him towards the instrument that could quickly supplant the piano, with age group 12, he noticed the Beatles for the very first time, which not merely led him to a surprising rvelation about how electrical guitars could audio, but also produced him see for the very first time the take action of songwriting as something central from what music artists did. It had been also at that time that he started picking up in the music of Carl Perkins, Chuck Berry, Small Richard, and Pal Holly, most of whom had been, of course, within the Beatles’ repertory. He began writing music immediately after, and by enough time he was 13, he was within a music group known as the Clan, playing college events using a repertory that mainly contains Beatles music. Of all users, he was the main one who remained with music, and his flavor and interests developed using the music around him. By enough time he was in his mid-teens, he was hearing the Byrds and Buffalo Springfield, and was selecting inspiration within the noises and music of Gene Clark, Stephen Stills, Chris Hillman, Neil Teen, and Richie Furay, amongst others. His second music group, the Coachmen, who’d began carrying out Paul Revere & the Raiders-style dance-oriented R&B, advanced into a even more progressive folk-rock clothing, even embracing a few of Springfield’s even more ambitious repertory. However, somehow, for all that devotion to music, he didn’t plunge straight into the field. Acquired he been surviving in California, in LA or SAN FRANCISCO BAY AREA, it might’ve been different, however in the lack of an extremely receptive audience, or even a encircling coterie of significant musician close friends, or very much encouragement any place in Peoria to pursue music, he finished up embracing additional goals. After completing high school, it had been to the College or university of Illinois at Champaign like a theatre major, hoping of an performing profession, and a change to painting. This is all happening amid the politics agonies from the Vietnam Battle, that was still happening full-tilt at that time, and Fogelberg wasn’t isolated through the tensions on the war because they manifested themselves. He dropped back to music through among the fairly few open public centers for what transferred for the counterculture in central Illinois, a membership called The Crimson Herring, owned by way of a friend called Peter Berkow. The last mentioned invited Fogelberg to try out, and shortly he was creating a regional audience along with his sound and his tracks, and it had been from that starting that Fogelberg found the attention of the College or university of Illinois alumnus called Irving Azoff, who at that time was controlling REO Speedwagon and was convinced that it was period for him to go up to another level within the music business. One functionality by Fogelberg, associated with his solo classical guitar at an usually drunken fraternity event before a singularly oblivious market, marketed Azoff on his potential clients and the theory that his personal future may be quite beneficial if linked with Fogelberg. He shifted to LA and Azoff started the task to getting him authorized. Within the interim, he performed some sessions and also graded a support gig on tour with Vehicle Morrison, in some implies that also included Dan Hicks & His Sizzling hot Licks. His demonstration tape was sufficient to get critical interest from Jerry Moss at A&M Information and David Geffen on the recently established Asylum Information, nonetheless it was the renowned Clive Davis, after that still at Columbia Information, who got Fogelberg under agreement. Fogelberg’s debut record, House Free (1972), documented in Nashville, with Norbert Putnam creating, was an shame of riches, musically speaking. It had been a sublimely gorgeous melding of country-rock with the non-public degree of a vocalist/songwriter, reminiscent sometimes of Gene Clark’s single function, and in addition encompassing noises derived from famous brands Stephen Stills, David Crosby, Graham Nash, and Neil Youthful, yet under no circumstances sounding an excessive amount of just like the joint function of these three (or four) and often sounding like Fogelberg. Nonetheless it was nearly the same as several other amazing debut albums to emerge from the Columbia Information orbit during Davis’ tenure, including Kid Is Dad to the person by the initial Blood, Perspiration & Tears and Greetings from Asbury Recreation area by Bruce Springsteen, for the reason that it by no means generated popular single to greatly help drive product sales. Everyone who noticed the recording adored it, but with out a single to create AM radio play, hardly any people noticed it; in Davis’ look at, fine since it was, House Free was a touch too country-ish for mainstream radio, and dropped between the splits between pop/rock and roll and nation playlists. A couple of years later, following the achievement of acts like the Eagles, such distinctions would matter much less, however in 1972, the music market was that segregated stylistically. Fogelberg held working, mainly as a program musician, arriving on Buffy Saint-Marie’s MCA debut LP, Buffy, and on Jackson Browne’s Later for the Sky, among various other early- to middle-’70s albums. He also were able to continue with Columbia with help from his supervisor. Azoff’s own Total Moon label got a creation and distribution cope with Columbia, through its Epic Information imprint, and it had been by method of Epic/Total Moon that he got another chance. This time around out, nevertheless, Fogelberg would record in LA with guitarist/maker Joe Walsh. Fogelberg quickly found that he previously a sympathetic and enthusiastic partner in Walsh, and everything actually dropped into place, actually Graham Nash’s existence (at Walsh’s demand) performing harmonies around the producing recording, Souvenirs, which presented a variety of renowned Los Angeles-based music artists. The results had been more than fantastic — they finished up dual platinum, as “Area of the Program” reached the very best 20 in 1974 and Souvenirs rode those graphs for half a year and sold progressively for a long time after. The record acquired mainly exactly the same mix of components as its forerunner, but this time around it was broadly heard and approved. The country-flavored rock and roll of “Area of the Strategy,” the reflective vocalist/songwriter function of “Music from Half Hill,” the bluegrass-flavored “Morning hours Sky,” as well as the heavier “Because the Raven Flies” (which recalled Neil Young’s “Ohio”) — all appeared to in shape together perfectly. Today Fogelberg was a superstar, leading an Illinois-spawned music group called Fool’s Silver and touring nearly constantly for another two years. Amid everything, he completed another record, Captured Angel (1975) — which he created himself this time around — which demonstrated him increasing his audio in even more ambitious directions, and in astonishing circumstances. It had been during 1975 that he’d came back home to invest time along with his dad, who was simply hospitalized, and afterward, while residing in Peoria, cut what had been said to be demos from the tracks he wished to make use of on his fresh recording, with Fogelberg playing every device and doing all of the vocals. Rather, when Azoff and Davis noticed the demos, they insisted that was the record, and that he could hardly ever recapture the experience he’d received on music like “Shows up and Runs” dealing with additional music artists. He eventually found an agreement using the label which the percussion parts will be redone by Russ Kunkel, and the ultimate edition of Captured Angel included Norbert Putnam on bass on specific monitors, and Al Perkins on pedal metal electric guitar and David Lindley on fiddle, and several string agreements by Glen Spreen, but usually it was a classic Fogelberg solo work. That record just solidified his popularity, in addition to making him a particular favorite of university students (specifically coeds) in the united states, along with a tour using the Eagles in 1975 — who, at that time, had been being handled by Azoff — just improved his profile. Fogelberg shifted to Colorado within the middle-’70s, and his preliminary time there led to the music that became the foundation for his following record, Nether Lands (1977). Ironically, the music came by the end of a protracted dry spell being a songwriter, the to begin his adult lifestyle. He discovered himself struggling to compose for a few months, and then, instantly, he began writing again, however in a more ornate, elaborately conceived, classically affected idiom. The tracks had been bolder both lyrically and musically — the name track, specifically, was significant for utilizing the solutions of composer/arranger Dominic Frontiere in orchestrating it. The recording was popular, and he was still using that initial influx of recognition as well as the concertizing that proceeded to go with it, even when he was today taking the market in some unforeseen directions. Fogelberg chose at this time to step back again a little — log off that influx — and take action solely for his personal fulfillment musically. In 1978, he started work on an archive which was to become more of an individual indulgence than other things, the noncommercial part of Dan Fogelberg, type of his equal to those instrumental albums that Frank Sinatra experienced issued like a conductor once or twice in his profession, or Neil Young’s afterwards Everybody’s Rockin’. He teamed through to what became a duo record with jazz flutist Tim Weisberg for the record Twin Sons of Different Moms (1978) — but rather than being truly a curio or even a footnote in his result, it finished up charting high and producing a big success single within the guise of “THE ENERGY of Silver” (which, ironically, have been put into the LP on the last second). The recording finished up in the very best 20 and was embraced by critics and the general public alike. For another couple of years, Fogelberg was actually riding an innovative and industrial whirlwind, peaking along with his 1980 recording Phoenix, that was propelled to platinum position with help from the quantity two solitary “Much longer.” The entire year before, he also satisfied a longtime profession objective by playing Carnegie Hall in NY, to some sellout market that included his parents. Fogelberg’s profession within the 1980s started with an urgent turn — idea albums had been common enough at that time, but most record brands also tended to highly discourage the documenting of dual LPs, due to the trouble and the down sides in offering and advertising them. But midway through completing his following recording, and with the solitary “SAME EXACT Lang Syne” currently in launch and record shops and customers poised for a fresh LP, he instantly decided to broaden the prepared record, writing brand-new music and successfully doubling its duration, in addition to delaying it well into 1981, the greater part of annually beyond the actual label or his supervisor decided on. The effect was his boldest creation up to now, The Innocent Age group (1981), an enormous project offering some VIP collaborators (including Joni Mitchell and Emmylou Harris), that four strike singles, the sooner “SAME EXACT Lang Syne” plus “Operate for the Roses,” “Hard to state,” and “Head of the Music group” (the last mentioned a tribute to his dad), had been eventually extracted. That record marked his industrial peak, and appeared to end a phenomenally well-known and productive stage of his profession. As if to tag the transition, the next yr Epic released its 1st strikes compilation on Fogelberg, a ten-song LP which four from the slot machines had been filled from the singles from the Innocent Age. It had been 3 years before his following new record, during which period Fogelberg’s musical sensibilities advanced in new and much more specific directions. He transformed toward even more personal and experimental types of music, nothing of which demonstrated remotely as favored by the general public or with critics as his 1970s function. Additionally, as was the case numerous artists from the 1970s and previously, the playing field was fundamentally modified within the 1980s. MTV and music video clips as promotional products became central for you to get publicity and airplay, and documenting artists now required a distinct visible style and a sound to get to leading rank; additionally, a fresh era of music critics, the majority of whom had been bent on displaying contempt for some of the preferred artists of the prior 10 years or two, had been now speaking within the press. His 1984 recording Windows and Wall space do reach the followers, and even produced popular in “Vocabulary of Like,” but got a hostile reception from your critics of the time. And his change toward bluegrass music, helped partly by his connection with Chris Hillman, who’d also converted back again toward his bluegrass root base at that time (and documented Fogelberg’s “Morning hours Sky” because the title an eye on his latest record), didn’t make him any longer accessible towards the mainline music critics of your day. The ensuing record, High Nation Snows (1985), was an excellent seller and demonstrated off Fogelberg’s origins brilliantly, but do nothing to improve his pop trustworthiness, which experienced waned considerably on the previous 3 years. Fogelberg withdrew relatively within the years that adopted, playing anonymously in pubs around Colorado within an outfit known as Frankie & the Aliens, created by Joe Vitale. He appeared to be going back again to his teenage root base, and along the way redefined himself musically. When he re-emerged using the Wild Places as well as the worldbeat-flavored River of Souls in the first ’90s, he was composing what amounted to topical ointment tracks about the surroundings, a topic with which he’d become very much concerned since shifting completely to Colorado. By that point, he’d established a completely equipped home studio room that offered him using the self-reliance that he craved, and he was beholden towards the record label simply like a conduit for his function. Epic, because of its component, kept liberating Fogelberg’s music, including an excellent 1991 live recording called Greetings in the Western world, and his previously albums produced perennially well-known Compact disc releases. House Free of charge was also thoroughly remixed by Norbert Putnam because of its Compact disc re-release in 1988 (those desiring to listen to the original blend will get it on BGO’s U.K. double-CD reissue of House Free/Souvenirs). Indeed, most of Fogelberg’s cds reflected a unique degree of treatment in their creation, specifically for Columbia catalog reissues from the era, once the label was frequently simply slapping down the digital experts and batting them out lacking any eyes toward quality. In 1995, he and Tim Weisberg do another collaboration collectively, No Resemblance Whatsoever, which appeared to pick up correct where their 1978 recording experienced remaining off without missing a defeat. In 1997, Columbia honored Fogelberg having a four-CD profession retrospective compilation entitled Family portrait: The Music of Dan Fogelberg from 1972-1997, searching back again over his earlier 25 years of function. Fogelberg shut out the previous hundred years with First Xmas Morning, which noticed him plunge many centuries in to the former in seeking traditional vacation music, evoking noises that, within the framework of function from a pop/rock and roll artist, got previously just been noticed from Jan Akkerman on his Tabernakel recording and the task from the Amazing Blondel, almost 30 years before. Finally, in 2003, Fogelberg returned towards the acoustic vocalist/songwriter audio of his early profession using the properly titled FULL CIRCLE record. This appeared like the feasible opening of the promising new stage to his function and profession. Those prospects had been dashed in middle-2004, nevertheless, when Fogelberg was identified as having advanced prostate tumor, to which he finally succumbed in past due 2007.

Quick Facts


Full Name Dan Fogelberg
Date Of Birth August 13, 1951
Died December 16, 2007, Deer Isle, Maine, United States
Profession Actor, Composer, Music Producer, Singer-songwriter, Keyboard Player, Multi-instrumentalist
Education Woodruff Career and Technical Center, University of Illinois at Urbana–Champaign
Nationality American
Spouse Jean Marie Mayer, Anastasia Savage, Maggie Slaymaker
Parents Lawrence Peter Fogelberg, Margaret Irvine
Siblings Peter Kent, Marc Lawrence
Music Songs Leader Of The Band, Same Old Lang Syne, Rhythm of the Rain, Run for the Roses, Part Of The Plan, Believe in Me, Hard to Say, The Power of Gold, Make Love Stay, Sutter's Mill, Longer, There's a Place in the World for a Gambler, Lonely in Love, The Language Of Love, Seeing You Again, Heart Hotels, The Last Nail, Go Down Easy, Old Tennessee, As the Raven Flies, Changing Horses, Song From Half Mountain, Scarecrow's Dream, Magic Every Moment, The First Christmas Morning, Beggar's Game, Only the Heart May Know, Stars, Tell Me to My Face, To The Morning, The Sand and the Foam, Sometimes a Song
Albums Souvenirs, The Innocent Age, Dan Fogelberg Live: Greetings from the West, Twin Sons of Different Mothers, Home Free, Phoenix, Captured Angel, Nether Lands, High Country Snows, Windows and Walls, The Wild Places, No Resemblance Whatsoever, River of Souls, Exiles, Love in Time, Full Circle, Dan Fogelberg - Greatest Hits, The Essential Dan Fogelberg, Love Songs, Greatest Hits, Live in 1977, Live With The High Country Band, Universal Amphitheatre, La. 15Th Aug 85 (Remastered), Something Old, Something New, Something Borrowed...and some Blues, The Very Best of Dan Fogelberg, Super Hits, Portrait: The Music Of Dan Fogelberg From 1972-1997, Original Album Classics, Collections
Movies Dan Fogelberg: Live: Greetings from the West


  • Facts
  • Filmography
  • Awards
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Soundtrack

Soundtrack

TitleYearStatusCharacter
Late Show with David Letterman 2011 TV Series writer - 1 episode
Singapore Idol 2004 TV Series writer - 2 episodes
About Schmidt 2002 writer: "Longer" 1971
Suave Veneno 1999 TV Series writer: "Bem Maior"
Contact 1997 performer: "Longer" - uncredited / writer: "Longer" - uncredited
Mystery Science Theater 3000 1993 TV Series writer - 1 episode
Beyond the Edge 1987 Documentary performer: "Beyond the Edge"
Urban Cowboy 1980 performer: "Times Like These" / writer: "Times Like These"
FM 1978 performer: "There's A Place In The World For A Gambler" / writer: "There's A Place In The World For A Gambler"
Rock Concert 1974 TV Series performer - 1 episode

Self

Self

TitleYearStatusCharacter
The Chevy Chase Show 1993 TV Series Himself
Late Night with David Letterman 1987 TV Series Himself
In Concert 1974 TV Series Himself
Rock Concert 1974 TV Series Himself

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
1981 Grammy Grammy Awards Best Album of Original Score Written for a Motion Picture or Television Special Urban Cowboy (1980) · JD Souther
· Boz Scaggs
· David Foster
· Jerry Foster
· Bill Rice
· Brian Collins
· Robby Campbell
· Joe Walsh
· Bob Morrison
· Johnny Wilson
· Bob Seger
· Wayland Holyfield
· Bob House
· Wanda Mallette
· Patti Ryan


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