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Curtiss Maldoon

Made up of guitarists and singer/songwriters Dave Curtiss and Clive Maldoon, the duo, Curtiss Maldoon, produced several ordinary, low-key rock and roll albums in the first ’70s and so are now most appreciated because of their associations with a lot more well-known musicians. Curtiss (on bass) and Maldoon had been both in Bodast, the short-lived group that Steve Howe performed lead electric guitar for between stints with Tomorrow and Yes. Maldoon (occasionally billed as “Clive Skinner”) and Curtiss composed — alone, jointly, or with Howe — a lot of the materials that Bodast documented in 1969, which arrived on some reissues after Howe’s vault to popularity. When Bodast split up by the end from the ’60s, with Howe signing up for Yes, Curtiss and Maldoon produced a duo that became popular in a much less harder-rocking, more vocalist/songwriter-inclined path than Bodast acquired. Curtiss Maldoon agreed upon to Deep Purple’s label, Crimson, launching albums in 1971 and 1973. Steve Howe and Bruce Thomas, afterwards in Elvis Costello’s Destinations, were among the top pool of music artists to help from their self-titled debut LP; their second and last one, simply known as Maldoon, arrived in past due 1973. This second record was acknowledged to Maldoon exclusively, although Curtiss has overall thing; he requested his name to be studied from it, unhappy using the results. When confronted with indifferent industrial response with their pretty tame and unexceptional early-’70s folk-rock-tinged vocalist/songwriter audio, they disbanded immediately after Maldoon, Maldoon dying unintentionally from drug-related causes in 1976. In 1998, nevertheless, Maldoon attained some retrospective renown: his niece, Christine Leach, from the music group Baby Fox, caused manufacturer William Orbit on the re-recording of the melody “Seraphyn,” from Maldoon’s initial record. When superstar Madonna approached Orbit to audio out new materials, he delivered her a support an eye on Leach’s new edition of “Seraphyn.” Reworked once again and retitled “Ray of Light,” this became the name music for Madonna’s 1998 recording.

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