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Cuff the Duke

It is zero question that Canada’s Cuff the Duke opened for Blue Rodeo on an integral tour, or that Blue Rodeo’s Greg Keelor is producing their fourth record. Like Keelor and his very own bandmates, Cuff the Duke are one particular unbelievably talented rings that can leap genres such as a video game of hopscotch — to the main point where their music is nearly undefinable aside from the nice ol’ catchall, “choice.” Also like Blue Rodeo, they possess an absolute Canadian roots rock and roll basis and a flavor for the epic within their melody buildings. Cuff the Duke broke onto the picture in 2002 using their debut, Lifestyle Stories for Least Income, released on Toronto indie Three Gut Information. Critics praised the record, specifically noting its maturity, that was ironic, as no-one in the music group (all originally from Oshawa, Ontario) was over 21 years. The group produced their major-label debut in 2005 using the self-titled, Cuff the Duke. The record was the initial discharge on fellow Canadian, Hayden’s Wood/General imprint that didn’t feature Hayden, himself. Cuff the Duke developed a significant cult following, specifically on the faculty circuit, with this dark epic of the recording. Critics hailed the strength and timelessness from the tracks, rightly determining Cuff the Duke like a music group working method beyond their years. Their concert events became a favorite favorite as well as the Toronto Celebrity raved that they “stole” the acclaimed Hillside Music Event. Early in 2006, Halifax’s Dale Murray became a member of Cuff the Duke to try out electrical and pedal metal guitar (changing original guitarist/Moog participant/organist Jeff Peers) — adopted shortly thereafter at that time Montreal-based drummer Corey Real wood (taking the area of Matt Faris). With founding people Wayne Petti (lead vocals, acoustic guitar and moog) and Paul Lowman (bass, piano, fiddle, vocals), the music group embarked on extra and extensive UNITED STATES touring. Someplace amidst all that and several vehicle breakdowns, Cuff the Duke were able to participate an exciting, mainly instrumental music group known as the Hylozoists, led by maker/musician Paul Aucoin (co-producer of the first Cuff the Duke albums), whose La Fin Du Monde arrived in the springtime of 2006 on Boompa/EMI. 2007 noticed the re-release of Cuff the Duke’s 2002 debut, Existence Stories for Minimum amount Income, and frontman Wayne Petti’s single debut, City Lamps Align, as the music group entered the studio room to begin documenting their new recording for Hardwood by the end of Feb. Released in Oct, Sidelines of the town was a lot more epic and ambitious than either of their earlier produces. Alternating sounding like they may be playing before stadiums to gigging at seductive club displays, the music on Sidelines of the town are as surprising because of their sprawling scope because they are for the amount of genres they neglect lithely across. Method Down Here found its way to 2009, accompanied by 2011’s Morning Shows up, the latter which arrived a Juno nomination. An EP of addresses music, In Our Period, made an appearance in early 2012, implemented afterwards that fall with the full-length Union.

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