Cripple Clarence Lofton is one particular colorful titles that adorned many an recording assortment of early boogie-woogie piano 78s in the first times of the ’60s folk-blues revival. An early on practitioner of the proper execution, together with his fellow contemporaries Cow Cow Davenport, Meade “Lux” Lewis, Pine Best Smith, and Jimmy Yancey, Lofton was among the originators who pass on the term in Chicago in the first ’20s. The literally challenged nicknamed he utilized — noticed by modern viewers like a tad exploitative, to state minimal — was a tiny ringer. Although he experienced a delivery defect in his calf that produced him walk having a pronounced limp, it really didn’t end him from getting an excellent faucet dancer, his unique ticket into display business. He quickly created a stage work that contains pounding out the boogie-woogie for the piano while taking a stand, dance, whistling, and vocalizing while — as you old bluesman place it — “having on the lotta racquet.” Lofton’s technique — or insufficient it — stemmed even more from a tent present background and the ones hearing his earliest & most full of energy recordings will begin to attest that striking every be aware or producing every chord transformation precisely weren’t specifically high priorities with him. But this outrageous, high-energy respond got the youthful showman observed quickly and by the first ’30s, he was a lot a fixture of Chicago evening lifestyle firmament that he previously his very own Windy Town nightclub, the oddly called NY. Lofton continued to be on the picture, cutting edges for the Gennett, Vocalion, Single Art, Riverside, Program, and Pax brands in to the ’40s. Once the boogie-woogie trend cooled off and finally passed away down in the past due ’40s, Lofton proceeded to go into early pension, keeping around Chicago until his loss of life in 1957 from a blood coagulum in the mind.