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Cosmic Baby


The techno producer with musical training under his belt, Cosmic Baby began his conservatory study at age seven, found out electronic music six years later on and by 1991, he was recording a few of the most melodic trance and techno to result from the Continent. Created in Nuremberg in 1966, Harald Bluechel started playing piano at age three and was carried out towards the Nuremberg Conservatory four years later on. After an early on affinity for the task of Bela Bartók and Igor Stravinsky, Bluechel started hearing Kraftwerk and Tangerine Desire; he quickly remaining the conservatory, started picking up digital equipment and published his first synthesizer structure when he was just 14. A proceed to Berlin to wait that city’s University or college of Arts supplied him using a level in composition in addition to sound engineering. Through the past due ’80s, nevertheless, Bluechel encountered the next genre of music which would transformation his training course. Acid-house acquired become big in Britain, and by 1988 it had been being examined in Berlin by early DJs like Westbam and Child Paul. Bluechel jumped aboard, and over time during the past due ’80s composing for radio, he was making by 1991 with such aliases as Energy 52 (with Child Paul), Futurhythm and Brainmelter (with DJ Moony Jonzon). His debut record as a single action, Transcendental Overdrive made an appearance in 1991 on MFS Information and proved an early on success story over the German techno picture. Obviously up to date by Bluechel’s lengthy period within the traditional world, the record was melodic trance of the very most mature type, as the following year’s follow-up Stellar Supreme was another showcase. Bluechel strike the British graphs with “Ideal Time” by Visions of Shiva (with Paul Truck Dyk), and obtained a United kingdom/American agreement through Reasoning/Arista for his third record. CONSIDERING Myself, released in 1994, was a far more varied album, mixing trance workout routines like “Cosmic Greets Florida,” interesting classical-techno fusions of materials by Debussy and all-over-the-map monitors like “Loops of Infinity.” During 1995, he constructed music for the film Futura and consolidated his placement among the leading live techno serves with shows around European countries and America. His 4th album general Fourteen Pieces premiered in 1996. 3 years afterwards the record Heaven premiered. Bluechel’s administration concern Cosmic Companies is in charge of the label PERIODS of Mind.

Quick Facts

Full Name Harald Blüchel
Profession Disc jockey, Music Producer, Keyboard Player, Film Score Composer
Nationality German
Music Groups Energy 52
Music Songs Loops of Infinity, Heaven's Tears, The Space Track, Stellar Supreme, Cosmic Greets Florida, Au Dessous Des Nuages, A Tribute to Blade Runner, Thinking About Myself, Sweet Dreams for Kaa - My Love, Tao 2000, Stimme der Energie, Mare Stellaris, Yalda's song, Sweet Dreams for Kaa, East Houston St., Planet Earth 1993, Industrie & Melodie, Herbst in Berlin, Cosmikk Trigger, Sketches in Spring, Fantasia, Another Day in Another City, Cosmikk Trigger 5.0, The Universal Mind, Der Flug, Oh Supergirl, Cosmic Babies, Treptow, The Pianotrack, Funkfiction II, Hommage 2, Replicants Requiem
Albums Stellar Supreme, Thinking About Myself, Heaven, Bi Polar, Fourteen Pieces, Industrie und Melodie, Works 1996.2 - Hundeherz, Sternsprung - Music for an Oceanic Radioplay, Works 1996.1 - Somnambul, Mare Stellaris, Hommage a Blade Runner, Futura, Cosmikk Trigger, 23, Kinetik, A Tribute to Blade Runner, Part 2
Movies Die Letzte Sekunde

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Die letzte Sekunde 1997 Short



We Call It Techno! 2008 Video documentary performer: "Cosmic Trigger 4"



We Call It Techno! 2008 Video documentary Himself
Lydverket 2005 TV Series Himself
Lost in Music 1992 TV Series documentary Himself

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