As an engineer and proprietor of J&M Studios and Cosimo Saving Studio room in New Orleans, Cosimo Matassa was essential to the introduction of the brand new Orleans R&B, rock and roll, and soul audio from the ’50s and ’60s. Small Richard and Body fat Domino recorded a few of their very best strikes at these studios, and main instrumentalists and makers like Dr. John and Allen Toussaint got essential early encounter there. Matassa had not been nearly aswell known as additional pioneers of early rock and roll creation, like Sam Phillips of Sunlight Records, however in his method, he was nearly as essential. Matassa was originally within the jukebox and record retail business, beginning his studio behind his store in 1945. It had been within the 10×12 feet J&M Studios that Body fat Domino’s “SYSTEM.DRAWING.BITMAP Man,” among the 1st New Orleans R&B classics and something from the 1st information of any sort to become retroactively classified seeing that rock & move, was recorded. In 1955, he transferred to the bigger Cosimo Recording Studio room, and on the following decade, the stream of New Orleans R&B continuing, with information by giants like Allen Toussaint and Lee Dorsey. He transferred the studio once again in 1966, although this failed by the finish from the ’60s. Matassa was also involved with Allen Toussaint’s Sea-Saint Studios, which documented serves like Paul McCartney, Dr. John, the Neville Brothers, and LaBelle within the ’70s, and was still functioning within the ’90s. Matassa had not been a manufacturer and unbiased label business owner, like Sam Phillips, but as an engineer, he was qualified at microphone positioning and recording the audio of New Orleans R&B using a naturalistic experience. As described by Dr. John in John Broven’s Tempo and Blues in New Orleans, “Cosimo was the sort of engineer who thought in one kind of scene. He’d established the knobs for the program and very seldom moved anything. When the piano was blended too low at the start it could stay blended too low before end from the program, unless the manufacturer came and transformed it. But this is how record periods were conducted for a long period. He developed what’s referred to as the ‘Cosimo Sound’ that was solid drums, large bass, light piano, large electric guitar and light horn sound and a solid vocal lead.” “Which was the beginning of what ultimately became referred to as the brand new Orleans Sound,” Dr. John continuing, “with your guitar doubling the bass range, the baritone and tenor doubling the bass range, making it a genuine solid sound and experimenting it. It surely got to become referred to as ‘Cosimo’s Audio’ nonetheless it was the music artists’ audio because these were playing the music. Nonetheless it was his small mix work which got the credit, as well as the record businesses used to state, ‘Cos offers an excellent sound, therefore we’ll cut an archive in New Orleans.’ There have been so many strikes appearing out of New Orleans which was why the record businesses were thinking about arriving there.” A Grammy champion and 2012 inductee in to the Stone Hall of Popularity, Matassa is at declining health through the 2010s and passed away in New Orleans in Sept 2014 at age 88.
|1||He was a recording engineer with a studio in New Orleans. He had a knack for getting the most out of the primitive sound equipment he started out with. For many years his studio was the main commercial recording venue in New Orleans.|
|2||Chess, Aladdin, De Luxe, Atlantic, Savoy and Specialty, among other labels, rented the studio, originally for just $15 an hour. Jerry Lee Lewis cut his first demo record there, and 21 gold records were recorded there. The hit songs included Little Richard's "Tutti Frutti" and "Good Golly Miss Molly"; Big Joe Turner's "Shake, Rattle and Roll"; Smiley Lewis's "I Hear You Knockin'"; and Frankie Ford's "Sea Cruise".|
|3||He went to Tulane University to earn a chemistry degree but decided to not go that route into becoming a chemist.|
|4||Inducted into the Louisiana Music Hall of Fame in 2007.|
|Les seigneurs||2012||writer: "Just a Dream"|
|Treme||2010||TV Series writer - 1 episode|
|Make It Funky!||2005||Documentary writer: "Tipitina" - as Cosimo V. Matassa|
|Peggy Sue Got Married||1986||writer: "Just A Dream"|
|Treme||2012||TV Series||Cosimo Matassa|
|American Masters||2016||TV Series documentary||Himself|
|The 2012 Rock and Roll Hall of Fame Induction Ceremony||2012||TV Special||Himself - Honoree|
|Kings of Rock 'n' Roll||2008||TV Movie documentary||Himself - Owner, J&M Studios|
|Make It Funky!||2005||Documentary||Himself|
|Soul Deep: The Story of Black Popular Music||2005||TV Mini-Series documentary||Himself - Record Producer|
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