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Cornelius Hauptmann

A music singer with a considerable, if not sensuous, bass tone of voice, Cornelius Hauptmann established himself early in his profession as an musician appealing to main conductors. Furthermore to such mainstream statistics as Kurt Masur, Kent Nagano, and Leonard Bernstein, many period functionality conductors elected to activate the young vocalist, maestri including John Eliot Gardiner, Nikolaus Harnoncourt, Christopher Hogwood, Michel Corboz, and Roger Norrington. His shows separate themselves into oratorio, melody recitals, and opera, the last mentioned reflecting a devotion to the level functions of Mozart. After their studies at Stuttgart’s Music Academy, Hauptmann got into the Conservatory in Bern, Switzerland, where he continuing his training being a pupil of bass Jakob Stämpfli. Upon getting his diploma, he undertook professional classes with many great performers of the prior era, Elisabeth Schwarzkopf, Hans Hotter, and Dietrich Fischer-Dieskau most prominent included in this. Hauptmann produced his formal stage debut on the Stuttgart Staatsoper in 1981, staying with that movie theater until 1989. Initially assigned to little parts, he ultimately graduated towards the function of Masetto and thereafter was noticed mostly as primary individuals. From 1985 to 1987, Hauptmann was also involved at Heidelberg, where he was heard simply because Osmin, Sarastro, Sparafucile, and Mozart’s Figaro. Visitor appearances had taken him to Paris, Frankfurt, and Reykjavik and he started singing at several important Western european celebrations; Aix-en-Provence and Schwetzingen had been one of the primary on the list that found amount in the dozens. In 1991, Hauptmann made an appearance within a concert functionality of Die Entführung aus dem Serail at London’s Royal Celebration Hall. That same calendar year, he sang Sarastro on the Deutschen Oper Berlin; four years afterwards, he made an appearance as Sarastro at Lyon. In 1988, he sang Mozart’s Requiem with Bernstein and came out at Salzburg as bass soloist in Mozart’s Mass in C minimal. By the brand new millennium, Hauptmann acquired also been noticed in the main opera homes of Munich, Leipzig, Madrid, Lisbon, Amsterdam, Züwealthy, and Orléans. Furthermore to two recordings of Sarastro and Philip Cup’ Akhnaten, Hauptmann is normally noticed as soloist on CDs specialized in Schumann’s Das Paradies und expire Peri, Enescu’s Oedipe, and oratorios of Schütz, Haydn, Mozart, Beethoven, and Mendelssohn. Lieder recitals for Naxos and Bayer are specialized in music of Schubert and Loewe.

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