Pop composer Con Conrad wrote for Broadway through the 1920s, after that worked for Hollywood through the middle-’30s. Delivered in N.Con.C. in 1891, Conrad K. Dober performed piano for the movie theater and in vaudeville, touring the U.S. and European countries, before he got music published through the 1910s. He previously several strikes in the past due ’10s and early ’20s, including “Singin’ the Blues,” before he started composing for Broadway. A number of the movie theater productions featuring tunes by Conrad had been Moonlight (1924), Kitty’s Kisses (1926), and Consider the Air flow (1927). In the past due ’20s, Conrad relocated to Hollywood, where he published tunes for just one of the 1st “talkies,” Fox Movietone Follies of 1929, accompanied by tunes for Broadway (1929), Happy Times (1930), Present of Gab (1934), Here’s to Love (1935), and even more. While in Hollywood, Conrad also published several Tin Skillet Alley strikes including “You Contact It Madness” (1931). A few of his additional best-known tunes are “Margie,” “Memory space Street,” “Lonesome and Sorry,” “Ma,” “Champagne Waltz,” and “Midnight in Paris.” Conrad collaborated numerous lyricists during his profession, but frequently teamed up with Friend DeSylva, Joe Youthful, Benny Davis, and, finally, Plant Magidson, with whom Conrad co-wrote the 1st receiver of the Oscar for Greatest Track, “The Continental,” from your 1934 film The Homosexual Divorcee.