Although he’s most widely known as an expert in avant-garde choral music and composition, Clytus Gottwald was actually a guy of wide musicological interests. On the colleges of Tübingen and Frankfurt, he examined performing, choir directing, and musicology, but his minimal topics included folklore, sociology, and Protestant theology. Frankfurt honored him a doctorate in 1961; his dissertation confirmed through stylistic evaluation that Renaissancecomposers Johannes Ghiselin and Jean Verbonnet had been in fact the same person. Gottwald continued to edit the entire works of this composer. Gottwald offered as cantor at St. Paul’s in Stuttgart from 1958 to 1970. In 1960, he founded the Stuttgart Schola Cantorum, which evolved into an avant-garde ensemble and which he led until it disbanded in 1990. Through the 1960s, Gottwald became known for his understanding of modern music instead of Renaissance functions; he offered as adviser for songs for South German Radio in Stuttgart from 1969 to 1988. In 1972, Pierre Boulez asked him to greatly help plan the brand new music institute IRCAM in the Center Georges Pompidou (Beaubourg) in Paris. During this time period he produced recordings of music by famous brands Schnebel, Kagel, and Bussotti, that are respectable by aficionados from the avant-garde. The majority of his personal compositions are for chorus or single voice, occasionally with tape.