Clive Gregson & Christine Collister were probably the most moving and memorable U.K. folk-rock duo to emerge since Richard & Linda Thompson. Gregson’s wry stories of the intricacies of like, sung in Collister’s heartbreaking tone of voice, gained the duo (and following solo function) respect and a dedicated following, though industrial achievement and mainstream acknowledgement eluded them. Gregson (b. Jan 4, 1955) was the creator of Any Problems, a pub rock and roll/new influx quartet, in Manchester in 1975. The band’s audio, and Gregson’s songwriting and performing, reminded a few of Elvis Costello, and Any Problems were authorized by Stiff, Costello’s label. The music group made many well-remembered but poor-selling albums, after that split in 1984. In 1984, Gregson found out Collister singing inside a folk golf club and, impressed by her skills, he wanted to use her on potential projects. Gregson experienced already begun a link with Richard Thompson, in the beginning singing backup within the traditional Take Out the Lamps recording in 1982. While focusing on Thompson’s Hands of Kindness, Gregson recommended using Collister for more backup vocal responsibilities. The formula worked well and both continued for a long time as integral elements of the Richard Thompson touring music group — arguably the best possible live music group he ever set up. In 1985, Gregson produced a solo record, Unusual Persuasions, with Collister performing backup on the few tracks. Both began performing being a duo in the folk membership circuit quickly thereafter. The duo’s initial launch was a homemade tape offered at gigs, later on released as House and Away. It had been accompanied by their 1st formal recording, Mischief, in 1988, and by a big change in the elements in 1990. Like Is a Strange Resort, released later on the same yr, was an recording of cover variations of Gregson and Collister’s songs. By 1992, the strain of continuous touring and operating together without considerable success finally required its toll to them. The two went their separate methods after one parting shot, THE FINAL WORD, and one last tour. They both continuing on as single functions. Clive Gregson ultimately relocated to Nashville and released the live “established bootleg” Carousel of Sound by himself label in 1994, People & Locations in 1995, and I REALLY LIKE This City in 1996 for Compass Information, furthermore to various creation work and part collaborations with Boo Hewerdine. In 1998, after a short stint in the group Plainsong, Gregson came back with Happy Hour. Christine Collister continuing to try out the folk circuit, liberating a live recording, Live, in 1995 and a fresh studio recording, Blue Aconite, in 1997, accompanied by Dark Present of Amount of time in 1998, THE SAME Like in 2002, and In to the Light in 2003. Through the 1st decade of the brand new millennium Gregson released Comfort and ease and Pleasure (2002) and Very long Story Brief (2004).