Clifford “Snags” Jones

Numerous exotic nicknames to select from over the jazz scene, nothing at all seems as cozy as “Snags,” particularly when it really is apparently inspired by grotesque teeth. The storyplot of Clifford “Snags” Jones, besides providing that colorful details to munch on, is virtually that of a journeyman drummer, faithfully setting up motivated beats through very much exciting music from the ’20s and ’30s, a few of it retroactively summarized as jazz, some as blues. Developing up in New Orleans, Jones produced friends in college who would afterwards share levels with him, including trumpeter Pal Petit. The drummer’s early professional organizations included Petit’s music group, Jack Carey’s music group, Papa Celestin’s music group, and Armand Piron’s orchestra. By 1922, Jones acquired transferred to Chicago, signing up for up with a combo led by another trumpeter, Tig Chambers. The drummer also started gigging with Al Simeon’s Sizzling hot Six, continued tour with Ruler Oliver, and started the ’30s basing himself out of close by Milwaukee, where he performed with players such as for example Artwork Simms. For a lot of this and the next 10 years, Jones was around the fantastic Lakes state governments, seeming sometimes to increase the freelancing potential of Chicago. Customers of middle-’40s clubs like the Oahu Isle Membership could have tapped their feet together with his snare and bass drum reviews, perhaps not conscious that was a musical tone of voice that was quickly to become silenced. Jones used both Bunk Johnson and Darnell Howard in 1946 and 1947; the night time before his loss of life he performed a gig using the latter multi-instrumentalist’s trio.