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Cliff Bennett


Probably one of the most formidable abilities never to ascend to the very best rank of Uk rock & move through the mid-’60s; aside from a set of strikes some 2 yrs apart, he skipped most of the achievement that a lot of onlookers could have pegged him for, though he fostered a whole lot of good professions in individuals who handed down through his music group. Cliff Bennett was created near London during 1940, and by his teenagers seemed destined forever as an experienced foundry employee, except that he treasured music a lot more than he treasured function in the foundry. He’d reached his mid-teens just like rock & move was obtaining exported from America and aspired to sing, and in addition learned your guitar just sufficiently to accompany himself. Bennett shortly discovered that if he proceeded to go with his intuition and threw himself into his shows with the type of depart that he sensed, he could accomplish a convincing American-style efficiency and even simply move — vocally just, and only within the absence of the true content — for dark. He was well-known enough locally to obtain invited to execute at community entertainments and dances, and in 1959 he come up with the very first edition from the Rebel Rousers, his support music group. They were sufficient to attract the eye of engineer and aspiring manufacturer Joe Meek, with whom they documented an individual that sank with out a track. Luck begun to switch their method — though not really in an apparent fashion — once the music group was booked in to the Star-Club in Hamburg, Germany. Bennett crossed pathways using the Beatles, who have been then appearing out of their formative levels and needs to get some good ambitious beyond another club reservation; John Lennon and Paul McCartney had been suitably impressed with Bennett and his music group and became close friends using the vocalist. Life and function went on through the entire early ’60s, and Bennett and his music group seemed to usually arrive on lists of functions to watch, however they were remaining high and dried out because the Beatles, Gerry & the Pacemakers, Billy J. Kramer & the Dakotas, as well as the Searchers all roared in the graphs in 1963; the latter group actually learning their biggest U.K. strike, “Fine needles and Pins,” from Bennett. He dutifully documented singles, for Parlophone, including variations of “YOU TRULY Got a Hang on Me” and “Got My Mojo Functioning,” and didn’t make any effect. They were agreed upon by Brian Epstein to some management agreement in Sept of 1964, on the effectiveness of the Beatles’ urgings, and immediately after, on the seventh 45 discharge, “A PROVEN WAY Like” b/w “DECELERATE,” they finally charted in Britain using a number-nine one; their next record, “I’ll Consider You House” b/w “Perform YOU LIKE Him,” nevertheless, only surely got to amount 42 and nothing at all for another year marketed at all, even though Bennett was today regarded as mostly of the white Englishmen who acquired any useful inborn experience for American R&B or spirit music. By that point, the Rebel Rousers acquired begun picking right up a number of the better players from serves that were additional from achievement than these were, including saxman Howie Casey from KING-SIZE Taylor & the Dominoes; as well as the group’s rates included many players who became effective down the road: keyboard star Nicky Hopkins, pianist/vocalist Roy Teen, Searchers bassist Frank Allen, and bassist Chas Hodges and drummer Mick Burt, who became Chas & Dave in 1974 and proved helpful together since. Finally, in early 1966, these were booked as an starting action on the Beatles’ last Western european tour. During those displays, Lennon and McCartney gave Bennett the very first hearing of “Surely got to ENABLE YOU TO GET Into MY ENTIRE LIFE,” a melody that would be on the Revolver recording later that yr, but not about the same. Bennett and organization saw their chance and required it, with Paul McCartney operating the session. The effect was a number-six solitary which was a twice triumph for Bennett, his personal original music “Baby EVERY DAY” gracing the B-side. The solitary was accompanied by probably the most well-realized recording within the group’s background. It had been in 1968 that Bennett parted organization using the Rebel Rousers — who proceeded to go off to try out with Roy Youthful — and cut one single recording, Branches Out, for Parlophone using what was referred to as the Cliff Bennett Music group. By 1970, he was dealing with Ken Hensley, Lee Kerslake, and John Glascock in Feet Body fat, a quartet which was agreed upon to Parlophone (and, afterwards, Regal Zonophone) in Britain as well as the Motown-spawned Rare Globe label (also the house from the Pretty Stuff) in the us. Bottom Unwanted fat lasted until 1971, and Hensley and Kerslake became a member of Uriah Heep while Glascock joined up with Jethro Tull. Bennett eventually fronted an organization called Rebellion, launching an record of that name on United kingdom CBS, and in addition joining guitar star Mick Green in Shanghai, a ’70s music group that lasted for just two LPs through the middle-’70s. He still left music through the second half of the 10 years; in an unusual little bit of irony, EMI Information, wanting to enhance and invigorate the product sales of Beatles information, released the group’s edition of “Surely got to ENABLE YOU TO GET Into MY ENTIRE LIFE” within a remixed edition, during this time period, to significant achievement. By the middle-’80s, Bennett was leading a fresh edition from the Rebel Rousers, an interval where the previous group’s 1964 strike “A PROVEN WAY Like” was revived by Dexy’s Midnight Athletes.

Quick Facts

Full Name Cliff Bennett
Date Of Birth June 4, 1940
Profession Musician
Nationality English
Music Groups Cliff Bennett and the Rebel Rousers, Toe Fat
Music Songs One Way Love, That's What I Said, When I Get Paid, I Take What I Want, You've Got What I Like, Two More Bottles of Wine, You Got What I Like, You Really Got a Hold on Me, A Woman Left Lonely, But I'm Wrong, Hold on I'm Coming, Hey Western Union Man, Barefootin', I'm in Love With You, Good Golly Miss Molly, Why Me, Turn on Your Lovelight, You Don't Miss Your Water, Mustang Sally, I Feel Good, Money, Memphis Street, Slow Down, Soul Man, Get Back, In the Midnight Hour
Albums Toe Fat Two, Live, Loud and Clear

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House of 1,000 Dolls 1967 performer: "House of a Thousand Dolls"



Never Mind the Buzzcocks 2001 TV Series Himself - Mystery Guest
Beat-Club 1966-1967 TV Series Himself - Musician
Countdown 1966 TV Series Himself
Five O'Clock Club 1966 TV Series Himself
Ready, Steady, Go! 1964-1966 TV Series Himself
Die Beatles und Ausschnitte aus dem Rahmenprogramm ihrer Deutschlandtournee 1966 TV Movie Himself (as Cliff Bennett & The Rebel Rousers)
Thank Your Lucky Stars 1964-1966 TV Series Himself
Discs a Go-Go 1965 TV Series Himself
Top of the Pops 1965 TV Series Himself
The Beat Room 1964-1965 TV Series Himself
Top Beat 1964 TV Mini-Series Himself

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