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Clem Alford

As an associate of Magic Carpeting and Magic Carpeting II, and on his single recordings, Uk sitarist Alford has explored the fusion of Indian music with folk, jazz, and rock and roll. Although he primarily researched bagpipes, Alford started playing the sitar in the middle-’60s, influenced by Ali Akbar Khan and Ravi Shankar. He visited India in 1968 to review traditional sitar with Pandit Sachindranath Saha, and in 1969 documented an recording with guitarist Jim Moyes and tabla participant Keshav Sathe for Windmill. However, this was released beneath the name Sagram, however the actual name from the music group was Sargam. Sargam was provided the opportunity to record for the Mushroom label in the first ’70s, offering they put in a vocalist. Guitarist, and vocalist/songwriter Alisha Sufit was recruited for this function, as well as the foursome, today billed as Magic Floor covering, documented a self-titled record that fused Indian and folk music on both vocal and instrumental choices. Released within an model of only 1 thousand copies, it had been reissued on Compact disc in the 1990s. Alford also documented as a single musician. On his 1974 record Mirror Picture, the 14-minute name monitor was a cross types of Indian music and electrical jazz-rock fusion. Alford documented this trim with an electric sitar, utilizing a get in touch with mike and wah-wah pedal, supported by guitar, electrical piano, bass, and drums. On the other hand, side two from the record acquired two traditional ragas, performed by Alford (on tanpura) and Magic Floor covering member Keshav Sathe on tabla. The record was reissued on Compact disc in the ’90s, by adding some later materials. In 1996, he reunited with Alisha Sufit to record Once Moor beneath the name Magic Floor covering II, although neither of the various other original Magic Floor covering musicians were mixed up in album.

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