You can find legions of musicians whose small size earned them the common-day nicknames of “Shorty” or “Pee Wee,” but trumpeter Clarence Brereton was therefore tiny his associates described him mainly because “Minnow.” From the recordings of jazz huge Sidney Bechet and early edges by outstanding vocalist Lena Horne, the shrimpy Brereton 1st made a specialist name for himself in 1929 in the music group of drummer Ike Dixon. Reedman and friend Buster Bailey devote a big term for the tiny man with bandleader Noble Sissle in 1932, an interval when the second option bandleader was seeking to strengthen his brass section. This ended up being an excellent match, using the miniscule Brereton swinging with Sissle until 1938, after that coming back to the music group before U.S. Military nabbed him in 1942, height-challenge and everything. The trumpeter’s recordings with Bechet day from the past due-’30s period when the Sissle music group was offering backup for the soprano sax and clarinet celebrity, while an identical situation led to a number of the 1st recordings by Lena Horne a couple of years later on. In early 1946, Brereton was back again within the jazz picture in the John Kirby Sextet, with whom he documented with Sarah Vaughan. Then evolved right into a freelancer, frequently playing alongside drummer Henry “Chick” Morrison. Sometime in the first ’50s, Brereton arrived down using the mumps, an illness that had a more serious influence on him compared to the picture of puffed-out cheeks connected with trumpeters such as for example Dizzy Gillespie. Problems from the condition led right to Brereton’s loss of life in NEW YORK in 1954.