Chuck Marohnic is an associate of that area of the jazz community that combines saving and efficiency with education. In Marohnic’s case, education means a lot more than offering private lessons. Furthermore to his documenting plan for Summit label, he’s Movie director of Jazz Research for Az State University, provides authored four instructional books, and have scored several cathedral hymns for jazz. Also a author of take note, the Jazzbird Base of NORTH PARK, CA, commissioned a Concerto for Jazz Piano and Orchestra which premiered using the Az State College or university Symphony Orchestra in March of 2000. While carrying out all this, he provides managed a dynamic performing profession, which began at age 16 after hearing Crimson Garland on the keyboards. His 40 years in jazz have observed him on 24 albums either as head or sideman, including showing up on albums with Chet Baker andJoe Henderson, and functioning being a sideman with Ira Sullivan and Pal Rich, amongst others. Marohnic’s design is hard to classify because he’s skilled in practically all jazz settings, but he targets the post-bop moderate. One of is own albums, the tongue in cheek-titled White colored Males Can’t Monk, illustrates his creativity using the compositional pencil and with the piano revealing his versatility both in areas. A regular performer at jazz celebrations and concerts, he spent some time working these locations with such varied companions as Eddie Jefferson, The Country wide Youngsters Symphony of Bulgaria, and the fantastic American Music Hall with Joe Diorio. When Marohnic discovers time to unwind, he listens for an eclectic group of stylists like the music of contemporary traditional composer Arvo Component and Keith Jarrett and Kenny Wheeler, along with the jazz experts of days gone by.