Christopher Hinterhuber offers successfully etched away a career seeing that an expert in the byways from the key pad repertory. One discovers functions by Hummel as well as the piano concertos of Ferdinand Ries in his discography, and also other less popular fare. So when the name of, state, Schubert shows up on his recordings, it really is in the genre of his four-hand compositions, not really the sonatas or impromptus. Not really that Hinterhuber eschews the staples of key pad books in the concert hall: as both a recitalist and soloist he has a huge array of functions by Mozart, Haydn, Beethoven, Schubert (yes, the sonatas), Mussorgsky, Rachmaninov, Schoenberg, Ravel, Prokofiev, Messiaen, and many more. Having produced his public debut using the orchestra just in 1999, nevertheless, it is possible to realize why he provides however to record anything getting close to warhorse position. He provides generally garnered vital acclaim for both his live shows and recordings, which is most likely his superstar will continue steadily to rise. Hinterhuber provides recorded solely for the Naxos label. Hinterhuber was created in Klagenfurt, Austria, in 1973. His initial advanced studies had been at Vienna’s School for Music and Performing Arts, where his piano instructors included Rudolf Kehrer, Axel Papenberg, Avo Kouyoumdjian, and Heinz Medjimorec. He had taken further key pad education in Imola, Italy, on the Accademia Pianistica under Lazar Berman, Louis Lortie, and Alexander Longquich. But his set of teachers/mentors will not end there: Hinterhuber afterwards took professional classes from Dmitri Bashkirov, Oleg Maisenberg, and Murray Perahia. Hinterhuber released his international profession in the 1990s, as well as for his orchestral debut in March 1999 he performed the Rachmaninov Piano Concerto No. 2 on the Musikverein in Vienna, with Yakov Kreizberg performing. Hinterhuber placed saturated in (or earned) a spate of contests around the switch of the hundred years, like the Leipzig-based J.S. Bach Competition, the Concours Geza Anda in Zurich (2000), as well as the International Beethoven Competition in Vienna (2001). For the favorite People from france/Austrian film La pianiste, he ghost-played functions by Schubert, Rachmaninov, and Schoenberg. The film received the Grand Prix in the 2001 Cannes Film Event. In 2003 Naxos released Hinterhuber’s 1st recording, a disk of four-hand music by Schubert, with pianist Rico Gulda. Among Hinterhuber’s recordings can be a 2007 disk of Hummel functions for piano and orchestra, which include the Dream for Piano and Orchestra, Op. 116, “Oberons Zauberhorn.” Hinterhuber started a professorship this year 2010, teaching piano in the College or university of Music and Performing Arts in Vienna.