Christoph Förster

Students of Pitzler, Heinichen and Kauffmann Forster acceded to positions in Merseburg (planing a trip to Dresden and Prague where he met Fux, Caldara and Conti), Rudolstadt and perhaps Sonderhausen. He constructed over 300 bits of music but just a equivalent few can definitiely end up being related to him as his religious name is difficult. The cathedral compositions were respected as well as the instrumental music signifies the French overture via framework and the usage of the timbres from the devices. Forster’s little symphonies were obvious indications from the composer’s knowing of the Italian design and his chamber music was much like that of Telemann.