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Christiane Oelze

Christiane Oelze is among the leading German sopranos to have emerged in the last mentioned decades from the 20th hundred years. Her repertory carries a wide range of functions in the operatic, concert, and lieder realms by composers, including J.S. Bach, Mozart, Richard Strauss, Schubert, Brahms, Mahler, and Schoenberg. She possesses a shiny, somewhat delicate tone of voice whose elegant quality makes her design both uniquely interesting and conveniently recognizable. Oelze was created in Cologne, Germany, on Oct 9, 1963. Her initial important study emerged on the Musikhochschule in Cologne with Klesie Kelly-Moog. She afterwards took professional classes with Elisabeth Schwarzkopf, and had additional vocal schooling with Erna Westberger. She gained a prize on the 1987 Hugo Wolf Competition, and the following calendar year took first award on the German Intercollegiate Competition for Vocal Duos. In the 1980s she concentrated generally on concert function, including singing in lots of oratorios, aswell as single concerts offering lieder. In this preliminary stage she drew vital praise on her behalf several travels in European countries, Japan, and america. In 1990 she released her operatic profession in Ottawa, Canada, in the function of Despina in Mozart’s Così enthusiast tutte. Her following major appearance over the operatic stage was as Constanze in Mozart’s Die Entführung aus dem Serail on the 1991 Salzburg Celebration, and she afterwards reprised the function in Zurich. Her initial recordings made an appearance in the first ’90s, with discs over the Berlin Classics label of Goethe lieder by several composers (1993) and another of Handel’s Jephtha (1994). Various other recordings by Mozart and J.S. Bach shortly implemented, while her stage performances included a string of triumphs: at Glyndebourne she portrayed Anne Trulove in Stravinsky’s The Rake’s Improvement (1994) and Melisande in Debussy’s Pelléas and Mélisande (1999); and she got similar successes in various repertory at Covent Backyard during this time period. In the brand new hundred years, Oelze has continued to be occupied on all fronts: she came back to Glyndebourne many more instances, including for the 2003 creation of Mozart’s Idomeneo, performing Ilia, with Simon Rattle performing, and in 2006 she sang the Countess in Mozart’s The Relationship of Figaro at Opera Garnier, Paris. Her recordings possess continued to attract critical compliment in the brand new hundred years, as well, included in this the 2005 launch from the Fauré Requiem for the PentaTone label. From 2003-2008, Oelze taught in the Robert Schumann Hochschule. Between 2010 and 2011, she also added shows of Strauss’ Vier letzte Lider using the Israel Philharmonic and Christoph von Dohnányi, Brahms’ Requiem using the Orchestre Country wide de France and Hartmut Haenchen, and concerts using the Bamberger Symphoniker, amongst others.

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