Munich’s electronic pop/multimedia trio Chicks on Quickness feature former New Yorker Melissa Logan, Australian Alex Murray-Leslie, and Munich native Kiki Moorse. Alongside crafting deconstructed, feminist-leaning synth pop, the group also works Go Records, End Information, and Chicks on Rate Records; styles video and printing graphics and artwork installations; and makes and markets avant-garde paper and natural leather clothing. Appropriate with their arty vibe, Moorse, Logan, and Murray-Leslie fulfilled in 1997 in a club near Munich’s Artwork Academy. Immediately after, they were launching limited-edition, critically acclaimed singles such as for example Smash Steel, which pitted the group against Patrick Pulsinger, DMX Krew, and DJ Hell (whose recording Munich Machine in addition they appeared on), along with the ironic pseudo-house anthem “Glamour Woman.” Their concert events ranged from looks at 2000’s Like Parade event to touring with System and Super Collider to gigs at renovated mental private hospitals. Mid-2000 saw the discharge of the debut recording, Will Save PEOPLE!; later on that yr, the rarities collection The Re-Releases from the Un-Releases was released by K Information within the U.S. Combined with the launch of several HELPS YOU TO SAVE Us All! paths mainly because singles in 2000, Chicks on Rate stayed busy using the launch from the Chix 52 EP — an homage towards the B-52’s — later on that yr. Chicks on Rate released even more singles, including their 2001 cooperation with Kriedler and 2002’s Style Rules, and in addition embarked on the 1st large-scale U.S. tour in 2002 within Larry Tee’s Electroclash times. In 2003, the We Don’t Play Guitars solitary heralded the appearance of 99 Cents, that was released in European countries that yr and in the U.S. with reward remixes a yr later on. The trio collaborated having a Spanish group, the No Mind, on their following recording, 2005’s Press the Spacebar. Moorse remaining the music group to focus on her personal music the next year. A set of singles, Artwork Guidelines and Super Surfer Woman, had been released in 2007 and 2008 and made an appearance within the group’s recording Cutting the Advantage the following yr. Murray-Leslie and Logan came back in 2014 with Artstravaganza, which presented cameos by Yoko Ono and Julian Assange and presented a few of their most ambitious materials yet.