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Chi-Pig was an Akron, OH-based new influx power trio comprising guitarist and key pad participant Susan Schmidt, bassist Deborah Smith, and drummer Richard Roberts. Schmidt and Smith had been currently longtime mainstays from the Cleveland/Akron picture, having participated in the teenager all-girl group the indegent Girls through the past due ’60s. In the middle-’70s they performed in the Peter Laughner-led organizations Cinderella’s Revenge and Friction. Shortly after Laughner passed away, Schmidt and Smith founded Chi-Pig, naming themselves after an area barbecue and rib joint. They performed in coordinating outfits modeled for the garb put on by 1940s Latin-American entertainers, but their music was by no means “Latin” and got no connection whatsoever to disco. Chi-Pig’s music contains educated, literate, and exceedingly well-written pop tracks that tackled the worries of women surviving in a customer society, having a dash of laughter added once and for all measure. Schmidt and Smith’s many lengthy years of encounter playing in a variety of Cleveland and Akron organizations paid in the limited accuracy of their music-making; Deborah Smith deserves singling out to be an exceptionally capable and imaginative bass participant. Both main and minor brands had been swarming around Akron in the past due ’70s, picking right up Devo and Tin Huey along the way. Despite self-producing a fantastic solitary, “Bountiful Living”/”Band Around the Training collar,” and documenting a full-length recording with maker Bruce Hensal in 1979, the music group never were able to land an archive offer. Chi-Pig hung on until about 1982, but eventually sick and tired of playing pubs and made a decision to contact it each day, and therefore the record was scrapped. By that point, female-led groupings that had created a style very similar compared to that of Chi-Pig had been beginning to use — for instance, the Go-Go’s as well as the Pretenders, offering Chrissie Hynde, who as an Akron teen had been a devoted fan of the indegent Young ladies. In 2004, 25 years after it had been recorded, Chi-Pig’s empty record, Miami, was dusted off and released. That is tremendously very good news, as Chi-Pig really was a pioneering and innovative music group whose music stands specifically midway between your producer-driven 1960s traditions of girl groupings like the Shangri-Las as well as the even more self-directed female sets of the 1980s. The introduction of Miami furthermore helps to fill up a major traditional difference in listeners’ understanding of the outstanding northern Ohio picture from the 1970s, which also brought listeners Devo and Pere Ubu — the initial fruits of so-called “contemporary” rock.

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