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Chester Beatty

Among the handful of Japan producers to break right into the Euro-American techno axis through the past due ’90s, Chester Beatty gained reputation initially because of its affiliation using the widely respected DJ Shufflemaster; nevertheless, the duo became broadly respected in its right as time passes (and several excellent productions), ultimately putting your signature on to Tresor, the quintessential hard techno label in European countries. Chester Beatty, apparently comprised of a lady and a religious beliefs teacher, started to make waves in 1997, once the duo started co-producing, alongside Shufflemaster, some EPs for Robert Armani’s Cloned Vinyl fabric label: Defeat Boxx (1997), Dessau (1999), and Defeat Boxx (Remixes) (2000). Concurrently, Chester Beatty was creating paths for Housedust (Japan), Loudspeaker Assault (Switzerland), and Convex (Germany), as well as the duo also started releasing tracks alone label, Disq. All this culminated in 2003 when Tresor authorized Chester Beatty and released the duo’s 1st full-length, Shot of Like, which notably presented a set of previously bootleg-only paths featuring prominent examples: “LOVEJET/Boogie Oogie Oogie” and “Shot of Like (Strolling on Music),” the previous appropriating A Flavor of Honey’s “Boogie Oogie Oogie,” the second option the Peter Jacques Band’s “Strolling on Music.”

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