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Charlie Spand

Next to there is nothing known about barrelhouse pianist Charlie Spand — the 33 spread paths which comprise his recorded legacy are virtually the just concrete evidence that he even existed. Although his precise roots are unclear, his 1940 documenting “Alabama Blues” consists of referrals to his delivery there; academics also present his earlier shows of “Mississippi Blues” and “Levee Camp Guy” as solid proof a link with the Delta. Nevertheless, Spand first produced a name for himself as something from the fecund Detroit boogie-woogie picture from the 1920s; between 1929 and 1931, he lower at least 25 paths for the Paramount label, duetting with Blind Blake on the rendition of “Moanin’ the Blues.” His path is next found in 1940, when he documented eight final paths in Chicago supported by Little Boy Joe and Big Expenses Broonzy; at that time, however, Spand apparently vanished into nothing, and his following actions both in and out of music stay a mystery.

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