b. 17 November 1911, Pasadena, California, USA, d. 13 August 1982, Malibu, California, USA. A recognized choreographer and movie director for a few of the traditional film musicals from your 40s to 60s; his function is usually well-known, but his name isn’t so familiar. Walters analyzed at the University or college of Southern California before becoming a member of the popular Fanchon and Marco street shows like a dancer in 1934. In the past due 30s he danced in a number of Broadway displays including BETWEEN YOUR Devil and Du Barry Was A FEMALE (1939), and consequently worked like a stage movie director before shifting to Hollywood and producing his debut like a choreographer for the Lucille Ball -Victor Mature RKO movieSeven Times Leave (1942). Then turned to MGM, and continuing to immediate the dance routines in best musicals such as for example Showing Lily Mars, Du Barry Was A FEMALE, Girl Crazy, Greatest Foot Forwards, Broadway Rhythm, Meet up with Me In St. Louis, The Harvey Ladies, Ziegfeld Follies, and Summer time Vacation (1947). At that stage maker Arthur Freed designated Walters as movie director for the 1947 remake of VERY GOOD NEWS with June Allyson and Peter Lawford, and his deft managing of this pretty complicated project resulted in him directing a number of mostly interesting musicals starring a number of the Studio room’s major celebrities such as for example Fred Astaire, Judy Garland, Esther Williams, Leslie Caron, and Frank Sinatra. They included Easter Parade, The Barkleys Of Broadway, Summer time Stock, Tx Carnival, The Belle Of NY, Dangerous When Damp, Lili, Torch Track, Easy To Like, The Cup Slipper, The Sensitive Trap, and Large Society (1956). In fact, The Tender Capture was not a really musical – even more a sophisticated humor with music – and in the past due 50s Walters aimed other comedies such as for example Don’t Go CLOSE TO THE Water and Make sure you Don’t Eat The Daisies. At that time, of course, sunlight had arranged on the best budget film musical, and after directing Billy Rose’s Jumbo (1962) as well as the Unsinkable Molly Dark brown (1964), Walters still left MGM. He produced just one even more picture, Walk, Don’t Work, for Columbia, which also been Cary Offer’s display screen swansong. His greatest films – especially Lili, Easter Parade, Great Society and Harmful When Moist – are significant for their attraction and élan, and how the movie director uses the surveillance camera to make a great feeling of motion. In old age Walters surfaced from pension intermittently to immediate a few tv circumstance comedies and Lucille Ball special deals, and to supply the periodic lecture. He passed away at age 70 of lung cancers.