Charles “Pickup truck” Parham played bass with a few of the most renowned jazz and Dixieland music artists from the 20th hundred years, including pianist Artwork Tatum and cornet participant Muggsy Spanier, amongst others. Created and elevated in Chicago, Parham offered newspapers through the town’s famous Dreamland Café, where he 1st became acquainted with jazz music (via cornet participant Ruler Oliver). Parham also grew friendly with a number of the music artists that performed at the location, including Freddie Keppard and Louie Armstrong, both for whom the youngster do tasks for. It wasn’t a long time before Parham found a musical instrument himself, nonetheless it wasn’t the bass 1st, it had been the tuba. He turned towards the bass soonafter nevertheless, after a bandleader asked him to complete for bassist who didn’t show up for the performance. Parham started picking up ideas from such bass legends as Walter Web page from the Count number Basie Music group, as Web page tutored Parham in trade for his provider being a bodyguard (Parham was an amateur boxer and a soccer participant). It had been also for this period that Parham was presented with his nickname, “Vehicle,” because of the fact that he’d often get the music group bus. Parham used local bands frequently and eventually through the entire Midwest with the 1930s, before coming back back again to Chicago completely, where he performed alongside drummer Zutty Singleton (additionally, Parham used trumpeter Roy Eldridge for this period, at the favorite Three Deuces Membership). Quickly thereafter, Parham became referred to as among the area’s most qualified bassists, as he continuing to master his playing in pianist Earl “Fatha” Hines’ big music group aswell as Jimmie Lunceford’s Orchestra, the last mentioned which Parham used for five years through the early to mid-’40s. Through the ’50s, Parham performed within cornetist Muggsy Spanier’s Dixieland Music group, furthermore to short gigs with vocalist Pearl Bailey and drummer Louis Bellson, as the ’60s noticed the bassist play mainly with Dixieland/traditional jazz pianist Artwork Hodes. Parham continuing to play through the entire latter element of his lifestyle, including festival displays alongside longtime friend/saxophonist Franz Jackson’s music group. Parham passed on at age 91 on June 5, 2002, in his lifelong hometown of Chicago, because of respiratory ailments.