Joined up with by his City Defeat Bandand playing a distinctive wind synthesizer known as the Lyricon, Charles “Prince Charles” Alexander released a small number of wild synth-funk albums — 1981’s Gang Battle, 1982’s Rock Killers, and 1984’s Overcome Zone — that attained more recognition within the U.K. than in the U.S., despite the fact that their finest singles had been contemporaneous with this of the Distance Band, Rick Adam, Grandmaster Flash, as well as the Egyptian Fan. Alexander utilized his experience being a multi-instrumentalist and all-around studio room hound to be active being a mixing machine and engineer. He proceeded to go from focusing on albums by Kashif and Sarah Dash within the ’80s to X-Clan and Jodeci in the first ’90s, but he actually strike his stride once he struck up a link with the Poor Boy label. Just about any among the label’s main produces, including Mary J. Blige’s MY ENTIRE LIFE, Notorious B.We.G.’s Prepared to Pass away, and Puff Daddy’s NO CHANCE Out, features his handiwork. He also caused famous brands Destiny’s Kid, Marques Houston, Angie Rock, and Alicia Secrets. By 2007, he was staying occupied as an engineer while keeping down a co-employee professor slot machine at Berklee University of Music along with a teaching gig at NYU’s Clive Davis Division of Documented Music.