The secular madrigals and napolitanes composed by Tudino are perhaps most obviously for the qualitative characteristics created in each song type. The madrigals had been occur four or eight voices with chromatic harmonic progressions utilized expressing textual data worried about grief. Textual materials, itself, was well crafted with a apparent articulation of accidentals and a prominent use of dark note. Rhythmic variants and syncopations also characterize the madrigals. Tudino’s napolitanes had been often have scored in note-against-note sonorities predicated on existing cantus. A few of his configurations, however, are obviously original three component agreements countering the cantus. This content of these last mentioned poems usually handled matters of appreciate in the Classical feeling.