As an arranger, Célia Vaz worked for Joyce, Billy Eckstine, Rio Jazz Orchestra, Martinho da Vila, Leci Brandão, Quarteto em Cy, among others. As a instructor, she had performers like Antônio Adolfo, Mauro Senise, Elba Ramalho, and Zélia Duncan as college students. By participation in a number of albums of additional performers, she’s been developing a global solo career because the ’90s. She started to research music within the ’60s in the Brazilian Conservatory of Music. She also got acoustic guitar classes with Sidney Miller and Jards Macalé. She devoted herself to music following the documenting of her “Lembrança” by vocalist Dóris Monteiro, following its demonstration by Monteiro within the Event Universitário de Música Popular perform Rio de Janeiro. In 1972, she earned a scholarship or grant for the Organizing and Composition span of Berklee University of Music (Boston, MA, U.S.), graduating in 1976. Among the number of concerts and recordings for the reason that stage, drummer Dom Um Romão’s involvement as arranger on LP Hotmosphere, which also acquired her “Cisco Two” structure, deserves mention. Time for Brazil in 1976, she continuing her harmony research with conductor/composer Guerra Peixe and produced arrangements for performers. Her first single album emerged in 1980, Mutação (Polygram), with visitor musician Pat Metheny, amongst others. Within the ’80s, she arranged and executed the Orquestra Célia Vaz, which caused Rosinha de Valença as well as other performers. In 1987, she became musical movie director, arranger, and guitarist from the vocal group Quarteto em Cy, saving, in that capability, the CDs Chico em Cy (1991), Bossa em Cy (1992, released just in Japan), Vinicius em Cy (1993), Tempo e Artista (1994), Brasil em Cy (1996), and Gil e Caetano em Cy (1999), during CID. Using the Quarteto em Cy, Vaz also toured Brazil, Japan, Cuba, and European countries. In 1994, she distributed the Compact disc Brasileiras with Wanda Sá, which acquired guest superstars Nana Caymmi, Gal Costa, Joyce, Quarteto em Cy, as well as other performers. In 1995, she was asked to instruct a span of vocal organizing in Rotterdam, Holland. Within the same calendar year, she released the next solo record, Célia Vaz (Leblon Information), which received the Prêmio Clear de Música. The record got Chico Buarque as unique visitor. In January 1997, Vaz and Sá performed in Tokyo to market her Compact disc Brasileiras, released there by Bomba Information. Vaz continued to be there until March as well as the Quarteto em Cy released “Brasil em Cy” for the reason that country within the same yr. IN-MAY 1997, she performed three displays in Cuba and, in June, was the arranger from the Compact disc Bate Boca (using the Quarteto em Cy as well as the MPB-4). In 1998, 1999, and 2000, Célia Vaz documented three CDs that have been released in Britain (Significantly Out Recordings) and Japan (Spirit Jazz Information). In 1998, she toured Japan once again (Tokyo and Kobe). In 2000, she documented the recording Vinícius, a Arte Perform Encontro using the Quarteto em Cy and MPB-4, working as arranger and violonista (acoustic guitarist), following a promotional tour. She participated as unique visitor in Japanese vocalist Kumi Hara’s debut Compact disc Ilha Verde, that was released in Japan in Apr. Her music “Mais Bonito” (with Sueli Corrêa) was categorized for Television Globo’s Event de Música Brasileira (2000).