Pianist Cedric Haywood’s association with a number of the more hard traveling varieties of jazz may mask the flexibility he displayed throughout his profession. It is accurate that he appears connected in the sides with hard-driving tenor honkers, in fact playing in a higher school music group behind Arnett Cobb and later on spending years in the combo of Illinois Jacquet, with whom he collaborated on composing blowing automobiles with evocative game titles such as for example “Blue Silk” and “Sizzling Rod”. However the pianist also kept forth in the brand new Orleans jazz design with greats such as for example Sidney Bechet and Child Ory and demonstrated a lighter contact was certainly in his fingertips by getting portion of vibraphonist Cal Tjader’s quartet in the first ’50s. The final six many years of his existence had been spent leading his personal music group in his hometown of Houston, Tx, at one stage even recording using the eccentric and hard to check out bluesman Lightning Hopkins. The professional profession of Haywood started in 1934 when he became a member of a music group led by Chester Boone. The next year he relocated to the music group of Milton Larkin, a link that continuing through the finish of the 10 years. He also returned in to the Larkin combo in 1942, among spending evenings with market leaders such as for example Floyd Ray and Lionel Hampton. Bechet also caused the pianist in 1942, and the destination was California. Haywood was using a number of regional rings there before becoming a member of the U.S. Military. From 1948 his primary affiliate was Saunders King–they relocated together through a number of different bands prior to the period started with Jacquet, whose tempos and extended single explorations certainly demanded a lot of chops from a pianist. Haywood strike if off with Tjader after heading back to California and begun to explore the options of freelance composing and organizing aswell. In the middle ’50s he started performing within Ory’s ensemble, including a set of long European trips. Another blustery tenor guy became a normal partner in the first ’60s; this time around it had been Brew Moore, whose name appears like a demand from weighty espresso drinkers. Haywood returned to Houston in 1963, where among the places to capture his become a bandleader was the Golf club Ebony.