Vocalist from the initial Brazilian rock-band Clubão Vermelho and very popular as a single artist, Cazuza still left his personal tag on Brazilian music regardless of his early loss of life, through his tracks which continue being recorded by various other artists. Son from the phonographic manufacturer João Araújo as well as the amateur vocalist Maria Lúcia Araújo, Cazuza often had close connection with music. Inspired since early years as a child by the solid beliefs of Brazilian music, he previously a special choice for the unhappy, dramatic overtones of Cartola, Lupicínio Rodrigues, Dolores Durán, and Maysa. He begun to compose lyrics and poems around 1965. In past due 1974, a secondary in London, Britain, acquainted him using the music of Led Zeppelin, Janis Joplin, as well as the Rolling Rocks, and he shortly became an excellent fan. Cazuza signed up for university in 1978, but deserted the span of journalism three weeks afterwards to utilize his dad at Som Livre. He shifted afterwards to SAN FRANCISCO BAY AREA, where he emerged in touch with defeat literature, becoming extremely influenced because of it. In 1980 he came back to Rio, where he caused the theatrical group Asdrúbal Trouxe o Trombone. There he was observed by the newbie vocalist/composer Leo Jayme, who launched him to some beginning rock-band that required a vocalist, the Pubão Vermelho. With this music group, which will be the to begin the Brazilian rock and roll design, Cazuza gained recognition and encounter, departing for his single profession in 1985. Motivated both by his unwillingness to talk about the achievement and by having less space for his MPB tendencies in Pubão Vermelho, Cazuza discovered independence in his 1st single record Exagerado (Som Livre,1985), where in fact the dramatic impact of Lupicínio Rodrigues is fairly apparent. “Codinome Beija-Flor,” the name monitor, “Mal Nenhum,” and “Só As Mãha sido São Felizas” evidenced more than enough guts for an effective opening single record, also if the last mentioned tune was censored because of the usage of profanity within an openly oedipal framework. In 1986, Cazuza documented Só Se To get a Dois, however in that season Som Livre disbanded its lineup. The record premiered in the next season through Philips, having popular with “O Nosso Amor a Gente Inventa.” That same season, Cazuza found that he was experiencing AIDS. Another record, Ideologia, revealed intense and combative lyrics, just like the name monitor, “Boas Novas,” “Blues da Piedade,” and “Brasil.” The record also got a listen in bossa design (even when harmonically it can not be understood being a bossa) which became popular, “Faz Parte perform Meu Display.” “Brasil” continued to be an important strike, having been re-recorded by many performers, including Gal Costa (within a version that was the theme tune from the Rede Globo cleaning soap opera Vale Tudo). In 1987, Cazuza made an appearance within the film Um Trem Em fun??o de as Estelas (Cacá Diegues). In Oct, 1988, Cazuza documented live at Canecão (Rio) the record Cazuza ao Vivo — o Tempo Não Pára (Philips). In Feb of the next season, he was the very first Brazilian musician to proclaim his condition publicly. Throughout a period of unpleasant medical center routines, he documented the depressive dual record Burguesia (that was released in August), showing up within the Prêmio Clear prize ceremony inside a wheelchair, where he was granted with the awards to discover the best recording, track, and online video (“Brasil”). In 1990, Lumiar posting house released both quantities of Songbook Cazuza. After his loss of life, his mom founded the Sociedade Viva Cazuza in Rio, a business for the support of kids afflicted with Helps, releasing her publication Cazuza — Só as Mãsera São Felizes (Globo, São Paulo, 1997). In 1995, Polygram released a four-CD package set made up of the Grandes Nomes Series, and in 1997 Cássia Eller documented an recording focused on Cazuza’s compositions, Veneno Antimonotonia.