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Catherine Mackintosh

Biography

Catherine Mackintosh continues to be probably one of the most dynamic violinists around the British early music picture. She analyzed violin with Aurea Pernel and Silvia Rosenberg on the Royal University of Music, London. During her pupil years, she researched chamber music with Kenneth Skeaping and sang in Roger Norrington’s Schütz choir. She was after that honored a three-year scholarship or grant (1967-1969) to wait the European Workshops of Early Music in Bruges, where she performed on the first violin and viola, the viola d’amore, as well as the viol. In 1969, she helped present the Consort of Musicke and in addition joined the British Consort of Viols. In 1973, she became the very first concertmistress from the Academy of Old Music, a posture she kept until 1987. With this orchestra, she produced important recordings beneath the path of Christopher Hogwood, including Handel’s Messiah, the entire Mozart symphonies, and Vivaldi’s L’estro armonico as well as the Four Periods (writing the single parts in these concertos with Alison Bury, John Holloway, and Monica Huggett). In 1984, Mackintosh founded the Purcell Quartet, with which she documented trio sonatas by Lawes, Purcell, Biber, Corelli, Handel, and Leclair. That same season, she became co-concertmistress using the Orchestra of age Enlightenment, with which she produced the first documenting on period musical instruments of Vivaldi’s concertos for viola d’amore. In 1997, she documented Bach’s violin sonatas with Maggie Cole. Mackintosh can be an important teacher of the first violin, having educated a new era of period-instrument string players. She’s taught on the Royal University of Music, London (1977-1999), with the Royal Scottish Academy of Music and Dilemma (from 1988).

Quick Facts


Music Groups The Consort of Musicke
Music Songs Amor vittorioso, What if I never speed?, Concerto Grosso No. 12 in D minor "La Folia", Unquiet thoughts, Who ever thinks or hopes of love, Mentre vaga Angioletta, Lamento d'Arianna, White as lilies was her face, Das G'läut zu Speyer, La vita caduca, Flow not so fast, ye fountains, Of all the birds that ever I see, I. Allegro, I cannot change as others do, III. Allegro, Clear or cloudy, O How Amiable Are Thy Dwellings, …denn meine Augen haben deinen Heiland gesehen, The Earl of Essex Galiard, All my past life is mine no more, II. Allemanda, Misrere mei Deus, O sia tranquillo il mare, Una donna fra l'altre, Laudibus in Sanctis, If floods of tears, It was a Time when silly bees, If that a sinner's sighs, Welcome black Night, Amarilli mi bella, I. Adagio, II. Allegro ma non troppo
Albums Viola d’amore Concertos, The King's Singers' Madrigal History Tour, Madrigali guerrieri et amorosi, Dowland: The Collected Works, Dowland: Second Booke of Songs, Biber: Harmonia Artificiosa-Ariosa, Madrigali erotici, Violin Concertos, Biber: Mensa Sonora / Violin Sonata in A Major, Ten Sonatas in IV Parts, John Dowland : The Collected Works


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Soundtrack

Soundtrack

TitleYearStatusCharacter
The Land of the Enlightened 2016 Documentary performer: "Concerto in D for 3 violins"
God Rot Tunbridge Wells! 1985 TV Movie "But who may abide"

Music Department

Music Department

TitleYearStatusCharacter
Theodora 1996 TV Movie orchestra leader

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