Cássia Eller is among the most successful pop performers/composers in Brazil. Who owns a unique contralto timbre, she actually is essentially a pop/rock and roll vocalist who cultivates the outsider perspective and flirts with MPB. She experienced her Com Você…Meu Mundo Ficaria Completo nominated for the very first Latin Grammy (2000) as Ideal Brazilian Rock Recording. Not really a top-selling designer (which in Brazil could be about 300,000/1,000,000 offered copies), she continues to be like a cult designer. Cássia Eller’s mom was very keen on music and initiated her with this artwork. At 14, she received a violão as something special and learned to try out Beatles music. In 1981, she caused Oswaldo Montenegro inside a musical. Surviving in Brasília DF, she participated within the 1st trio unétrico (effective sound systems built-in vehicles to animate the Bahian carnival since its inception by Dodô and Osmar) from the Brazil capital, Massa True. Leaving college before completing senior high school research, she was driven to spent her lifestyle performing. In 1987, she produced the short-lived music group Malas e Bagagens. In 1989, she documented a demonstration tape with “Por Enquanto” (Renato Russo) on her behalf initial supervisor, her uncle Anderson, who demonstrated it to Polygram. The melody will be her initial strike. Signing using the label, she documented her initial record in 1990, Cássia Eller, including “Rubens,” an ambiguous like melody (Premeditando o Breque) which have been vetoed by censorship. The next record (O Marginal, Polygram, 1992) includes a larger São Paulo impact. The 3rd, Cássia Eller (Polygram, 1994), acquired an approximation with MPB and an interpretation of “Na Cadência perform Samba” by Ataulfo Alves. Two monitors made it towards the strike parade: “Malandragem” (Cazuza) and “E.C.T.” (Nando Reis/Marisa Monte/Carlinhos Dark brown). Ao Vivo (Som Livre, 1996) is really a live documented record with two various other musicians associated her on violõha sido/bass (which she also has). She also documented Veneno Antimonotonia (Polygram, 1997), Veneno Vivo (Polygram, 1998), and Com Você…Meu Mundo Ficaria Completo (Polygram, 1999) (that was nominated for the very first Latin Grammy awards as Ideal Brazilian Rock Record).