Casiotone for the Painfully Only was the lo-fi single task of Owen Ashworth, a Portland-based songwriter who have mixed private Bright Eyes-styled balladry with Atom & His Bundle battery-operated antics. His weaponry of choice had been the Casio SK-1 and many hot pole Casiotones, while his lyrics had been a coy-edged mixture of Stephin Merritt’s sarcasm as well as the Hill Goats’ earnestness. Ashworth released his 1st documenting, 1999’s Answering Machine Music: A SHORT Recording in Twelve Parts — loosely an idea album of smart musical tone of voice mails — by himself label, Cassingle USA. A number of the paths, including “Theme from David Hanna,” had been first documented into his machine. Pocket Symphonies for Lonesome Subway Vehicles adopted in 2001 for the Tomlab label and presented several “genuine” tools, including cello and drums. Twinkle Echo found its way to 2003, and 2006’s Etiquette extended Ashworth’s sound even more by adding even more analog tools. While remixing tracks for famous brands Dudley Benson and Headlights, Ashworth discovered time and energy to continue his use Casiotone for the Painfully Only, whose fifth recording (the varied Vs. Kids) found its way to early 2009. Ashworth retired CftPA, in addition to all the tracks he wrote beneath the moniker, by the end of 2010. The next year, he started a new task, Advance Foundation, which relied much less on cheap digital instruments and shown his continued development like a songwriter and arranger. Ashworth in addition has added to Tag Kozelek’s band Sunlight Kil Moon.