Carol Fredette is a superb jazz singer who’s particularly adept in handling tricky lyrics. She originated from an extremely musical family members that included an uncle, Marty Bell, who experienced recorded an recording like a cool-toned trumpeter and vocalist in the 1950s with Don Elliott. She sang in college and, after going to Florida State University or college for a 12 months, she noticed the Stan Kenton Orchestra and made a decision that she got to go to NY and make an effort to turn into a jazz vocalist. She lowered out of university, spending that summertime performing with her uncle’s music group on weekends and learning ratings of specifications. Fredette proved helpful locally in NY and found important experience performing using the big rings of Sal Salvador, Larry Elgart, and Neal Hefti. She also spent lots of time on the highway for two years, appearing often abroad. In 1978, Carol Fredette resettled in NY and since that time provides performed with Mike Abene, Mike Renzi, Hank Jones, Steve Kuhn, Bucky Pizzarelli, Al Cohn, and Dave Frishberg, amongst others. She’s also proved helpful as an educator. Amazingly, she has seldom recorded, just producing an record apiece for Devil Moon (1983), Owl (1993), and Brownstone (1995). The last mentioned project can be her most remarkable, offering her witty renditions from the music of Dave Frishberg and Bob Dorough.