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Carmela Remigio

Carmela Remigio can be an Italian lyric soprano who is rolling out a strong profession in the opera homes of her local nation. Her early vocal research had been with Aldo Protti. Her principal instructor was Leone Magiera, a observed vocal trainer and operatic conductor who spent some time working with Luciano Pavarotti and additional leading operatic celebrities. At an extremely young age to get a singer, Remigio earned the first reward and special point out in 1992 in the Luciano Pavarotti International Tone of voice Competition in Philadelphia, PA. Remigio produced her professional debut in the name part of Giampaolo Testoni’s fresh opera Alice in the Teatro Massimo of Palermo in 1993. Since that time Remigio is becoming especially popular on her behalf portrayal of Mozart heroines: both Susanna as well as the Countess in Le nozze di Figaro, Donna Anna in Don Giovanni, Ilia in Idomeneo, Vitellia in La clemenza di Tito, and Fiordiligi in Così lover tutte. Included in these are shows in the Aix-en-Provence Festival carried out by Claudio Abbado and aimed by Peter Brook. Abbado also carried out Remigio inside a efficiency as another Alice — Mrs. Ford in Verdi’s Falstaff, and she sings the part of Desdemona in Verdi’s additional past due Shakespearean opera, Otello. Additional of her tasks include the name heroes in Monteverdi’s L’incoronazione di Poppea, and Donizetti’s Anna Bolena, Mimi in Puccini’s La bohème, Liù in his Turandot, Lauretta in Gianni Schicchi, and Magda in La rondine. She also delves in to the Baroque and bel canto repertory; representative tasks consist of Handel’s Armida as well as the portion of Romilda in his Rinaldo, Isabella in Rossini’s L’inganno felice, Imogene in Bellini’s Il pirata, and Adalgisa in his Norma. Remigio shows up regularly in concert, carrying out such functions as Rossini’s Petite Messe Solennelle and Stabat Mater, the Requiems of Verdi, Mozart, and Fauré, Dvorák’s Te Deum and Strauss’ Four Last Tracks. She has made an appearance in Italy’s leading celebrations and opera homes, like the Teatro Comunale of Ferrara, the Teatro Comunale di Bologna, the Teatro Comunale di Modena, l’Accademia Chigiana di Siena, the Rossini Opera Event, Milan’s Teatro alla Scala, Ferrara Musica, the Settembre Musicale Modenese, as well as the Academy of Santa Cecilia in Rome. She’s documented for the Virgin, EMI, Deutsche Grammophon, Agora, and Ricordi brands in functions of Mozart, Rossini, Paisiello, and Bellini.

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