After Francisco Alves, Carlos Galhardo was the singer who recorded probably the most 78 rpm songs, a lot more than 570. He also was among the best-selling performers, and worked in a number of films, winning many Carnival contests. From humble roots, Carlos Galhardo forgotten his formal research extremely early and became a tailor apprentice. Learning the occupation, he worked in a number of tailories until he was employed by Salvador Grimaldi, who doubled like a tailor and baritone. They rehearsed many opera duets collectively, and 1 day the popular Francisco Alves paid attention to him inside a familiar reunion, having motivated him to go after music as an occupation. Through a pal, Galhardo experienced a break at Rádio Educadora, becoming needed an audition in 1933. Accompanied by Bororó, who was simply friends along with his sibling, Galhardo performed live and delighted the audience. The very next day, RCA Victor delivered a representative, welcoming him to some other audition. Arriving in the studios, Moreira da Silva was documenting, and Galhardo participated in the choir. Auditioned by Mr. Evans himself, Galhardo was authorized and the documenting session was ready, while he became a normal choir member for the reason that organization. In 1933, his 1st solo recording premiered, with two frevos — “Você Não Gosta de Mim” (Irmãoperating-system Valença) and “Que é Que Há?” (Nelson Ferreira) — having achievement in Recife. Actually, it was documented after the record with Assis Valente’s sambas “Em fun??o de Onde Irá o Brasil?” and “É Duro de Se Crer.” In the Carnaval of 1934, Galhado got popular with “Carolina,” a march by Bonfiglio de Oliveira and Hervê Cordovil. He primarily documented “Olha Lá o Balão” and “Vai Subindo” for Columbia. In 1935, he documented several tracks for the business, including “Lá No Céu,” “Boneca de Pano,” and “Mariana” (a march by Bonfiglio de Oliveira and Lamartine Babo), starting as an enchanting vocalist with Paulo Barbosa/Osvaldo Santiago’s valsa-canção “Cortina de Veludo,” which became extremely popular in Rio. Until after that, Galhardo was a freelancer for many radio stations, however in that season he agreed upon his first agreement (with Rádio Cruzeiro perform Sul). His last Columbia record was documented in 1936, using the march “Morena” (Roberto Martins) as well as the samba “Rei Vagabundo” (Ataulfo Alves/Roberto Martins). Time for Victor, he documented the march “Madalena” (Bonfiglio de Oliveira) as well as the samba “Você Não Sabe, Amor” (Ataulfo Alves/Bide). He previously remarkable success using the valse “Italiana” (Paulo Barbosa/José Maria de Abreu/Osvaldo Santiago). After that he collected strike after hit, many every year. He shifted to Rádio Cajuti, shortly exchanged for Tupi. Putting your signature on with Odeon, he documented the samba “Dou-te um Adeus” (Bide/Marçal), the valse “Apenas Tu” (Roberto Martins/Jorge Faraj), as well as the march “Cartinha Cor-de-Rosa” (João de Barro/Alberto Ribeiro). In 1937, Galhardo shifted to Rádio Mayrink Veiga, where he’d stay until 1948. In 1938, the entire year that Galhardo participated in the Sonofilm musical film Banana da Terra, he previously several hits, like the samba “Olá, Seu Nicolau” (Paulo Barbosa/Osvaldo Santiago). Nonetheless it really was in 1939 that Galhardo reached his peak, using the march “Sem Banana” (João de Barro/Alberto Ribeiro), the samba “Sei Que é Covardia” (Ataulfo Alves/Claudionor Cruz), the fox-canção “Linda Butterfly” as well as the valse “Perfume de Mulher Bonita” (both by Georges Moran/Osvaldo Santiago), the fox “Dia Há de Chegar” (Georges Moran/Osvaldo Santiago), as well as the samba “Você Me Deixou” (Marçal/Ataulfo Alves), amongst others. In 1941, Galhardo acted in the film Entra na Farra and experienced several more strikes. In 1948, Galhardo relocated to Rádio Nacional, where he’d stay until 1952. For the reason that season, he had achievement using the samba “23 de Abril” (Roberto Martins/Ary Monteiro) as well as the valse “Saudade perform Maranhão” (Roberto Martins/Dilu Melo). Every year, he continuing scoring strikes. In 1952, Galhardo turned to r / c Mayrink Veiga and Mundial. In the same season, he toured Portugal for four a few months, executing in Lisbon, Porto, Coimbra, Viana perform Castelo, and other areas. In 1955, he participated in the film Carnaval em Lá Maior (Ademar Gonzaga). In 1957, he proved helpful in the musical Metido a Bacana. Galhardo documented a lot more than 11 LPs in his profession. In 1964, he previously success using the Carnival march “Onde Tem Mulher” (Henrique de Almeida/Carlos Marques).