When it’s period for jazz critics to whip away their most cliched vocabulary, it appears the preferable thing for music artists to accomplish onstage is to “make” or even to “burn off.” In cases like this of this classic alto saxophonist and clarinetist, the critics just had to allow Carl Frye. It really is a corny joke, but certainly one that may have been valued by at least among this musician’s companies, the hilarious vocalist and keyboardist Fat Waller. Frye was a fresh Englander by delivery but started his music profession down south in 1928, playing inside a music group led by Clarence Johnson that was centered out of NEW YORK. Throughout the 10 years he was gigging with Earle Howard, starting an on-again, off-again romantic relationship with Waller in the ’30s. For quite some time from 1937, Frye gigged with Willie Bryant. Numerous associations with bandleaders ensued, each seeming to last in regards to a 12 months. In 1939 he caused Don Redman; the next 12 months the reedman was much more likely found in organizations led by Benny Carter. In the ’40s Frye became a member of up with Louis Armstrong’s orchestra task, just with time for any prolific documenting period with Decca. The producing mound of edges would make a fry prepare weep had been they purchases of bacon. He also performed on a few of Billie Holiday’s good recordings out of this period. From the ’50s Frye experienced given up regular music. While he arrived every once in awhile to blow at gigs in NEW YORK, Frye eventually appears to have slipped out of view, and may become deceased.