Created in the ’40s in Buenos Aires, Juan Carlos Caceres became intimately associated with the existentialist motion that thrived in the town during the many years of his youngsters. Caceres was an achieved jazz trombonist by his mid-twenties, and even though he studied great arts on the university instead of music, he quickly became a fixture in the Buenos Aires jazz community. He became a mainstay on the renowned Cueva de Passarato jazz membership, which was not really only a significant musical place, but a gathering place for groundbreaking and existential thinkers. In the past due ’60s Caceres relocated to Paris, where he involved in a multitude of creative pursuits, including painting, making, teaching, and most importantly, playing. Becoming a specialist over the music encircling the River Plates, which separates Argentina and Uruguay, Caceres became instrumental in popularizing designs such as for example tango, murga, and candombe. His musicianship flourished as he gained a reputation not merely being a efficient trombonist, but being a pianist, vocalist, and songwriter aswell. His debut record, entitled Sudacas, premiered for the French/American label Celluloid Information. His second launch, Toca Tango, presented a nontraditional, fusion-oriented ensemble and the beautiful candombe compositions “Tango Negro” and name cut “Toca Tango.” His 4th original launch, Murga Argentina, discovered a home for the Manana Music label. Caceres’ 2007 launch Utopia was the first ever to gain him the moniker “The Lion,” heralded like a triumph of both efficiency and musicology. Caceres continuing to keep up a busy efficiency and lecture plan well at night age group of 60.