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C.J. Lewis

b. Stephen Lewis, London, Britain. Lewis shadowed the audio systems around London along with his child years friend Philip Leo, and quickly established himself like a well known DJ. Leo himself started a recording profession being a singer-songwriter with two effective releases for Style Information. For his third discharge, ‘Why Perform Fools Fall In Like’, a reworking of Frankie Lymon AS WELL AS THE Teens’ 1956 chart-topper, he presented Lewis to some wider market. The single acquired considerable publicity through ffrr Information, and narrowly skipped achieving the UK pop graph. In 1990, Lewis made an appearance on several releases, notably in conjunction with Janet Lee Davis for the edition of Keith And Enid’s ‘Concerned Over You’, while with Leo he documented a version from the Glucose Minott strike, ‘Good Thing Heading’. In 1993, the duo documented the reggae chart-topper ‘Hypnotic Like’, that was #1 1 for seven weeks. This achievement led to Lewis putting your signature on with Black Marketplace/MCA, with Leo as co-producer. The agreement resulted in crossover achievement when ‘Sweets For My Sugary’ peaked at #3 3 in the united kingdom Top 10. He adopted the strike with a high 10 cover edition of Stevie Wonder’s ‘Uptight (Everything’s Alright)’, Feelings’ ‘Greatest Of My Like’ and a genuine composition, ‘Dollars’, making use of Prince Buster’s ‘Ten Commandments’ tempo. In 1994, Lewis toured European countries, Asia and china and taiwan and began focusing on his second recording for the label. He continuing to try out the live circuit on the 28-day time tour of the united kingdom, leading to an award for Greatest P.A. Of THE ENTIRE YEAR In Britain. His recognition in Japan led to his second recording offering 150, 000 copies in a single day, raising to 250, 000 within the first fourteen days of its launch. In Sept 1995, he performed seven sell-out times in china and taiwan, and got a UK Best 40 summer strike with ‘R TOWARDS THE A’. By the start of 1996, he previously returned to the united kingdom to promote the discharge of ‘Can’t Consider It (Road Life)’. The discharge of ‘Phat Ting’ proceeded to go a way towards relaxing the disaffected hardcore reggae supporters, who acquired become relatively disillusioned by Lewis’ crossover achievement.

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