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Bruno Tommaso

Blessed in 1946, this Roman bassist (never to become confused with Giovanni Tommaso, his cousin in addition to a bassist with Enrico Rava, amongst others) is currently a key number within the Italian picture; his work offers ranged from middle ages and modern music to jazz. He’s among the founders from the essential popular college of music in the Testaccio community of Rome, and was the initial president from the Italian Association of Jazz Music artists. His influence could be detected generally in most of the even more interesting musical tasks in Italy over the last twenty years. He’s a superb composer — compositions consist of 12 variants on a style by Jerome Kern and soundtracks for Steamboat Costs Jr. by Buster Keaton — and arranger: he organized opera arias for Enrico Rava in Rava L’Opera Va and Carmen (label Bleu, 1993 and 1995) as well as for Gianluigi Trovesi in Little Fairy Stories (Soul Take note, 2001). Tommaso is normally a founding person in the Italian Instabile Orchestra which he eventually left, maintaining, nevertheless, an agreeable and cooperative romantic relationship; he still sometimes conducts the orchestra’s functionality of his parts (“I Virtuosi di Noci” on Reside in Noci Leo 1995, and “Il Maestro Muratore” on Skies of European countries ECM). Tommaso may be the many in-demand conductor and arranger of Italian jazz, but can be a dedicated improviser in the seminal Gruppo Romano Free of charge Jazz. His discography being a leader will not perform complete justice to his musical result, but Meditango (Onyx Jazz Membership of Matera, 1998) as well as the collection for improvising soloists and orchestra Nux Erat (CMC, 1994), with Pino Minafra, Gianluigi Trovesi, and Evan Parker can provide an idea from the range of his passions. In Il Diritto e il Rovescio (Siena Jazz, 1996), Tommaso utilized texts like the writings of judges Falcone and Borsellino, wiped out in Sicily by Cosa Nostra because of their activity against criminal offense. He teaches on the Naples Conservatory, where he made a jazz orchestra offering vocalist Maria Pia De Vito (Oltre Napoli la Notte, Dischi della Quercia, 2000) and he’s found in Italy wherever jazz, in the broadest feeling of the term, is conducted or taught.

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