Brad Gowans had a colorful and flexible profession in prebop jazz, wanting to stretch out the boundaries from the music in uncommon methods. A multi-instrumentalist who was simply experienced on both reeds and brass, Gowans alternated in early stages between clarinet and valve trombone. He caused the Rhapsody Manufacturers Music group, Tommy DeRosa’s New Orleans Jazz Music group and Perley Breed’s Orchestra. He performed cornet in 1926 with Joe Venuti, gigged with Jimmy Durante (who led a jazz music group during the period) and caused Mal Hallett (1927-1929) and Bert Lown’s Orchestra. Discouraged from the Depressive disorder, Gowans worked beyond music for quite some time before becoming a member of Bobby Hackett in 1936. After employed in Boston with Frank Ward, in 1938 he became a member of Wingy Manone like a valve trombonist and performed once again with Bobby Hackett. A short stint with Joe Marsala was accompanied by Gowans signing up for Bud Freeman’s Summa Cum Laude Music group (1939-1940). He was a normal at Nick’s, playing Dixieland with a number of best Chicago jazz music artists. After dealing with Ray McKinley’s big music group and Artwork Hodes, Gowans re-created the initial Dixieland Jazz Music group (playing clarinet) on a fascinating group of recordings. After departing music for a brief period, he used Utmost Kaminsky (1945-1946), was using the Jimmy Dorsey Big Music group and caused Nappy Lamare (1949-50). Gowans freelanced (mainly in California and NEVADA). He collapsed in January 1954 while using Eddie Skrivanek’s Sextet from Craving for food and never retrieved, loss of life eight months afterwards. Brad Gowans, who had written preparations for recordings by Freeman and Lee Wiley and created the valide (a mixture glide/valve trombone that under no circumstances caught on), produced many records being a sideman including with Crimson Nichols’ Crimson Heads as soon as 1926. Being a head he documented four obscure game titles (in 1926, 1927, and 1934) and also a full record for Victor in 1946.