Nation songwriter Bobby Braddock was one of the most prolific hitmakers from the ’70s, and in addition made some of his very own recordings toward the finish of the 10 years. Blessed in Lakeland, FL, in 1940, Braddock initial inserted the music sector being a key pad participant for Marty Robbins, whose support band he became a member of in 1964. 2 yrs later, Robbins documented the Braddock-penned “AS LONG AS YOU’RE Dance,” and acquired a chart strike with it. Building on that base, Braddock became a member of the songwriting personnel at Tree International Posting, where he changed Roger Miller. He also discovered are a program musician, and started making his personal recordings, charting using the 1967 solitary “I UNDERSTAND How to GET IT DONE.” That same yr, the Oak Ridge Kids had a high Ten strike with Braddock’s “Would They Like Him Down in Shreveport,” and his profession was coming. Two Best Tens for the Statler Brothers found its way to 1968, plus Braddock’s 1st number one strike in Tammy Wynette’s “D-I-V-O-R-C-E,” which he co-wrote with Curly Putman. More than the next a decade, Braddock held cranking out strikes for countless performers, the biggest which included “I REALLY BELIEVE the South’s Gonna Rise Once again” (Tanya Tucker), “Seriously In” (Jerry Lee Lewis), “Womanhood” (Wynette once again), as well as the duet “Something to Brag About” (documented by Willie Nelson with Mary Kay Place, aswell as Wynette and George Jones). Braddock got a recording cope with Elektra in his personal correct in 1979, and obtained a chart strike that yr with the name tabs on his 1st full-length album, Between your Lines. The 1980 follow-up, Like Bomb, was a semi-concept recording filled up with witty, Southern-fried sociable commentary, and was adopted in 1983 from the mini-album Harepore Cornography. The same yr, Braddock teamed with Matraca Berg to create T.G. Sheppard’s number 1 hit “Faking Like.” Braddock’s songwriting profession began to decelerate a bit through the ’80s, but he still developed regular successes, penning strikes for Tracy Lawrence (“Period Marches On,” “Tx Tornado”) and Tag Chesnutt (“Aged Flames Possess New Titles”), amongst others, through the ’90s. And his hitmaking continuing into the fresh millennium with “I Wanna DISCUSS Me,” a Billboard nation chart-topper for Toby Keith in 2002.